A Quote by Anna Todd
The idea of being published was such an abstract thing in the beginning. It wasn't even an option in my mind.
Related Quotes
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
What greater weakness can there be than not to know what is the source of one's being, of one's life, of one's senses, of one's knowledge, and what is to be their end? What can be more deeply disheartening than to wonder whether one's soul is, perhaps, a material thing, like a stone or a reptile, corruptible like these base creatures? Is there not more strength and greatness of mind in admitting the idea of a being superior to all other beings, who has made them all and to whom all owe their existence; of a being supremely perfect, who is pure, who had no beginning and can have no ending, of whom our soul is the image and, so to speak, a portion, being a spiritual and immortal thing?
There are always interesting, innovative, dynamic stories being written and being published. They're not always being prominently published, but they're being published.
The most optimistic thing that's happened is that as a society we're beginning to recognize that there are many voices. When I began, thirty years ago, the idea of one author or the artist as being a solitary creature was really the only idea that there was.
Touring was an abstract idea for me in the beginning. I didn't know where it was going to take me, but I knew that I wanted to go and play for lots of people. I always had that image in my mind. I had no idea what the touring experience was like, and how it was going to unfold, but I knew that I wanted to tour. Then it just started happening slowly started happening.
Being published is not a necessary validation or a path everyone wants to take with their work. Writing—and finishing—a novel is a great thing in itself, whether or not the book is published, or becomes widely-read or not.
My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer.
Developing characters is a strange thing. In the beginning they are abstract and I wonder how to move on from there.
I quite like the idea - just as an abstract idea - of 12 people's collective life experience and wisdom being this formidable thing. People say juries can be led - I think 12 people from different backgrounds, different races, different genders, different ages, it's hard to hoodwink.
There is no such thing as abstract art, or else all art is abstract, which amounts to the same thing. Abstract art no more exists than does curved art yellow art or green art.
I have this very abstract idea in my head. I wouldn't even want to call it stand-up, because stand-up conjures in one's mind a comedian with a microphone standing onstage under a spotlight telling jokes to an audience. The direction I'm going in is eventually, you won't know if it's a joke or not.
Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
Being a woman is an option, being trans is an option, and they're options that appeal to me. We need to listen to people - not labels, not semantics.
The first thing an unpublished author should remember is that no one asked him to write in the first place. With this firmly in mind, he has no right to become discouraged just because other people are being published.
The Human subject is the most important thing. My work is abstract in the sense of having been designed and composed, but it is not abstract in the sense of having no human content I want to communicate. I want the idea to strike right away.
When I wrote 'Lord of the Flies' - I had no idea it would even get published.
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