A Quote by Anna Wintour
Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.
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The communal experience of sharing something, and being part of it, and watching something visually striking, that's what film is all about. Seeing everything on a big screen, and to be able to see something phenomenal in that way, and being moved by it. We have kind of lost the tradition of that, and we're not nurturing the next generation in that tradition, and maybe that's why they're not turning up.
Here's an easy one: "Race is an entirely social construct." No, it's partially one, depending on how any given society seeks to define it and its implications. But there are basic things such as skin color and hair texture. Even a Martian who'd had no exposure to human "social constructs" would be able to spot those differences. But no Martian, as hard as he tried, could point at a "culture" or to "equality." Those are the social constructs. Those can't be measured in the same way as human DNA.
Fantastic Beasts, to in any way be associated with that world was amazing, especially having been such a huge fan of JK Rowling for such a long time, it's one of those things I never would have dreamt of being a part of.
It's of no use to look back and say, "I should have been different." At any given moment, we are the way we are, and we see what we're able to see. For that reason, guilt is always inappropriate.
I have performed for thousands when they found me exotic, the vogue, daring, but I have danced, at any given time, for about ten people... They were the ones that left the theater forever different from the way they were when they came in. All of my long, long life, I have danced for those ten.
By the way, today with digital cameras and editing on your laptop, and things like that, you can make a feature film, a narrative feature film easily for $10,000.
I want to accomplish some things on the beach that I haven't been able to before, such as being a part of the best team on the beach in any given summer, racking up the most wins in any given summer.
I never was interested in being part of the fashion world - I just wanted to design shoes. I didn't even know 'Vogue' existed when I was growing up. 'Vogue,' what is that?'
I never was interested in being part of the fashion world - I just wanted to design shoes. I didn't even know Vogue existed when I was growing up. Vogue, what is that?
At my shows you have time to relax, time to just enjoy something really dumb, time to laugh at something that's weird or unexpected and time to think. There's all sorts of things happening and it's great being able to go any way I choose at any given moment.
Maybe I'd never see him again... maybe he'd gone for good... swallowed up, body and soul, in the kind of stories you hear about... Ah, it's an awful thing... and being young doesn't help any... when you notice for the first time... the way you lose people as you go along ... the buddies you'll never see again... never again... when you notice that they've disappeared like dreams... that it's all over... finished... that you too will get lost someday... a long way off but inevitably... in the awful torrent of things and people... of the days and shapes... that pass... that never stop.
In solitude, at last, we’re able to let God define us the way we are always supposed to be defined—by relationship: the I-thou relationship, in relation to a Presence that demands nothing of us but presence itself. Not performance but presence
It is part of the photographer's job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country We are most of us too busy, too worried, too intent on proving ourselves right, too obsessed with ideas to stand and stare Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
My big thesis is that although the world looks messy and chaotic, if you translate it into the world of numbers and shapes, patterns emerge and you start to understand why things are the way they are.
Color is one way the eye and the brain work together to define the external world. However, not all cultures see color in the same way, nor do they give it as much importance as in western culture.
Our evangelical culture tends to take the awesome reality of a transcendent god who is worthy to be feared and downsize Him so He could fit into our "buddy system." The way we talk about Him, the way we pray, and, more strikingly, the way we live shows that we have somehow lost our sense of being appropriately awestruck in the presence of a holy and all-powerful God. It's been a long time since we've heard a good sermon on the "fear of God." If God were to show up visibly, many of us think we'd run up to Him and high-five Him for the good things He has done.
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