A Quote by Anna Wintour
I feel it would be a huge mistake for 'Vogue' always to be completely tasteful, completely perfect. I think it's very important for us to also rock the boat.
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According to the bible, Heaven is completely perfect and Hell is completely evil. In Heaven, in order to keep everything completely perfect, everyone in it would have to follow a long, specific set of rules for it to be perfect. Heaven is prison. In Hell, everyone is already evil there, so no rules need to be set to make it completely evil. Hell is freedom.
I think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.
I think I'm absolutely perfect. Because if I'm not good at something I completely banish it from my mind. Completely. Like it never happened.
I am completely open to doing a romantic comedy, but I will never do something just for the sake of doing a specific genre or because it's the time or place to do a different type of movie. I think that would be a huge mistake.
Men are afraid to rock the boat in which they hope to drift safely through life's currents, when, actually, the boat is stuck on a sandbar. They would be better off to rock the boat and try to shake it loose.
I think I would love to do a role where I completely transform myself and look completely different, act completely different, and do some crazy, cool, action drama where I was undercover and saving the world.
I think the mistake lots of people make when it comes to a psychopath is that they completely write off their actions as cruel, callous and completely calculated, but actually, the truth is that they have interests and reasons behind their actions.
Tears are sometimes an inappropriate response to death. When a life has been lived completely honestly, completely successfully, or just completely, the correct response to death's perfect punctuation mark is a smile.
There's definitely a thin line between being tasteful and tacky. I feel like tasteful is very unique...it's not necessarily wearing a bunch of chains - that could be either tasteful or tacky. It just depends on how you wear them and what kind of chains they are.
You know you can get gaudy with something, and they didn't do that. To me, I think it's very tasteful, well done, with the silver and gold and the engraving. I think it's very tasteful.
I usually need a lot of time to be completely alone with the particular piece, the composer, and the instrument. I also prefer a very quiet atmosphere, and I usually choose pieces that are very close to my personality, my heart. I think the audience can feel it.
I do think that narrative, long-form nonfiction is the perfect form because it's rooted in something very real, but we're also, you know, completely spiritual, emotional creatures driven by all sorts of desires and needs.
I give speeches at megachurches across America, and the one thing that's really striking about it is how utterly, completely diverse they are, and completely unself-consciously. At these huge megachurches the idea that the more Christian you are, the less tolerant you would be is preposterous.
Keanu Reeves learned a lot, respecting the culture. I was surprised when I first met him. He knew a lot already and he learned a lot. And also he learned Japanese. It's incredible. On the set, switching between the Japanese and English, even for us, is very hard. It's complicated. But the first time Keanu spoke in Japanese it was a very important scene between us, and more than the dialogue's meaning, I was moved. His energy for the film, completely perfect Japanese pronunciation. It was moving, surprising, respecting.
Old age tells us that we ourselves have failed often, have never really done anything completely right, have never truly been perfect - anad that is completely all right. We are who we are - and so is everyone else.
There seems to be something poetically that doesn't work or is limiting when you call God 'God' in a poem. When I tried to be honest with myself in my relationship with God, Christ is, on the one hand, completely dark, he's transcendent and unknown. On the other hand, he is completely imminent and completely knowable as Jesus. Our tradition speaks of him in both ways as transcendent but also as a lover who comes to us, and the two word 'Dark One' seem to me to contain both things, the transcendence and otherness of Christ, but also like a kind of dark lover who comes to us.
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