A Quote by Anna Wintour

I love coming in and changing magazines. — © Anna Wintour
I love coming in and changing magazines.
I love the architecture magazines and all of the French magazines for decoration or whatever. I end up enjoying them more sometimes than the fashion magazines.
I love fashion magazines and style magazines and when I'm travelling on an aeroplane I always have a big bag slung over my shoulder, which is full of magazines.
I like magazines. I love to look at a magazine. But the magazines have got to get better. Everything pushes someone else to get better. So the Internet pushes the magazines.
Every generation has a changing of the guard in media. We do the same stuff that everybody else does, but we just do it differently. We do our content online differently. We do our magazines differently. We do our TV differently. We never had anyone tell us how to do magazines, so we just developed it in a different way.
I had been reading magazines a lot, and I love magazines, and so I was always asking myself why is it that these gorgeous articles just don't translate well to the web? Presentation was one aspect of it.
[When] Johnny Mnemonic was coming out and I realized that all the kids that worked in 7-11 knew more - or thought they knew more - about feature film production than I did. And that was from reading Premiere, that was from this change that came from magazines that treat their readers as players. Magazines that purport to sell you the inside experience.
Coming from a country that's rapidly changing, I love the idea of a place like South Dakota where nothing has really changed.
We are coming into a new era of flight, an ear in which all past conception of time and distance is changing and changing at a very, very rapid rate.
I naturally own a lot of very old magazines. And I enjoy going to old magazines because the advertisements in those magazines tended to have thousands of words of copy in them.
What you will see is love coming out of the trees, love coming out of the sky, love coming out of the light. You will perceive love from everything around you. This is the state of bliss.
I'm coming from a small town in Quebec where, at that time, there was no Internet, and the way to be in contact with movies were those American fan magazines like 'Fantastic Films' and 'Starlog,' and I still remember the shock, the impact of seeing the first frames, the first pictures coming out of 'Blade Runner.'
Magazines and advertising are flogging the idea that you have to keep changing things and get something new. I think that's balls - evil. But obviously that's your livelihood.
If I have a spare second, I usually catch up on the many magazines I'm behind on or watch the latest movies on demand that I usually missed at the theater. I love magazines. My top three: Graydon Carter's 'Vanity Fair', Adam Moss' 'New York magazine' and David Remnick's 'New Yorker.'
So while in men's magazines success is a power tool to get sex and love, and therefore the look of success is crucial, in women's magazines love and sex are power tools to get success and therefore both the look of love and the sexual tease/promise are crucial.
In the long run magazines can't be a convenience play - the Web has stolen that. So magazines have to be high fidelity - a fantastic experience - to thrive. Magazines will survive the Internet age, but only the ones that give people an experience they just can't get anywhere else. A magazine will have to be truly loved to make it.
Working in magazines these days is like one of those horror movies where people keep leaving the room and not coming back.
This site uses cookies to ensure you get the best experience. More info...
Got it!