A Quote by Annabella Sciorra
There was definitely a moment, a time after 'The Hand That Rocks the Cradle', when I did get offered a lot of women in jeopardy-type roles. But I couldn't do it, physically, I just couldn't. But now I know what I know, I wonder if I should have played the whole fame game a little more.
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Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
I was offered 10 Sultan Qureshi-type roles after 'Gangs of Wasseypur.' But I did not want to repeat that, as I have little fear of being rejected by the people.
I did it a little bit in college, but now I've been doing it more. But yeah, it's not, I think you can definitely have a sense of humour about it. Like a lot of the time I'll finish my set with 'Sandstorm' by Darude - do you know that song? That's a funny song. People also go apeshit when you play it. But at the same time, it's not like the whole thing is a joke.
I do get offered a lot more roles than I choose to do. I'm very busy as a producer and a writer, especially with my Internet stuff, and I tend to only accept the roles that I know will have an impact and has a fanbase.
Black women rock the cradle, and whoever rocks the cradle rocks the future.
Did you know? Did the cross cast a shadow on your cradle? Did you shudder each time your hammer struck a nail? How much heaven and how much earth were in this baby at his birth? Did you know, or did you wonder?
I played sometimes about as dull as you can play it. I did things the right way, you know. I think I modeled my playing ability after one of the all time greats, Joe DiMaggio. You always found Joe, when he played, you know, he always threw to the right base. He ran, he caught the ball. He did all the right things. He was an idol of mine in the outfield. He played the game the way it was supposed to be played.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
I think you're stereotyped after every film. Post 'Dev D,' I was only offered bold roles. Similarly, after 'Margarita With A Straw,' I was offered roles where I had to play differently-abled people. So, no matter what type of film you work in, people tend to slot you.
When you get the first knock, it kind of wakes you up: you know, they are men, and it is not like Under-18s when you can take loads of knocks and know you will be fine, that you won't feel anything after the game. You definitely get harder knocks, but it helps. You just get up and get on with the game, and then you can give it to them back.
Slalom skiers train their whole lives for like a minute and a half. We're not soccer or tennis players that can play the whole game. Once you're in the World Cup, you're physically prepared, so then ski racing almost always comes down to more mental than physical. I've been working on understanding that I've done everything that I can up until this point, and now I need to breathe and enjoy the moment, and do what I know I can do, versus trying to do more. Because you're fighting to do more, but that doesn't always work.
After she was gone there would be no one who knew the whole of her life. She did not even know the whole of it! Perhaps she should have written some of it down...but really what would have been the point in that? Everything passed, she would too. This perspective offered her an unexpected clarity she nearly enjoyed, but even with this new clarity the world offered no more explanation for itself than it ever had.
The hand that rocks the cradle should also rock the boat.
There ought to be a hall of fame for mamas / Creation's most unique and precious pearl / And heaven help us always to remember / That the hand that rocks the cradle rules the world
It's the fault of the chess players themselves. I don't know what they used to be, but now they're not the most gentlemanly group. When it was a game played by the aristocrats it had more like you know dignity to it. When they used to have the clubs, like no women were allowed and everybody went in dressed in a suit, a tie, like gentlemen, you know. Now, kids come running in their sneakers. Even in the best chess club-and they got women in there. It's a social place and people are making noise, it's a madhouse.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
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