A Quote by Annabella Sciorra

The thing is, when we do fight scenes, when we kill people in the movies, they bring in experts to choreograph it bit by bit, because you can't really kill someone, and you don't want to really hurt them.
If you've ever known the love of God, you know it's nothing but reckless and it's nothing but raging. Sometimes it hurts to be loved, and if it doesn't hurt it's probably not love, may be infatuation. I think a lot of American people are infatuated with God, but we don't really love Him, and they don't really let Him love them. Being loved by God is one of the most painful things in the world, it's also the only thing that can bring us salvation and it's like everything else that is really wonderful, there's a little bit of pain in it, little bit of hurt.
We kill the women. We kill the babies. We kill the blind. We kill the cripples. We kill them all.... When you get through killing them all, go to the goddamn graveyard and kill them a-goddamn-gain because they didn't die hard enough.
Kill all the rich people. Break up their cars and apartments. Bring the revolution home, kill your parents, that's where it's really at.
You kill people you hate or you kill in rage or you kill to get even, but you don't kill someone you're indifferent to.
Kill Bill is one of my favorite movies. It has this gritty feeling to it, and it's got a little bit of everything - a little bit of western, a little bit of samurai, and a lot of this very cinematic violence that I personally think is very entertaining.
There are a lot of people that have marginal powers, like a guy who levitates a little bit off the ground, or someone who can breathe a little bit of fire, or someone that can freeze a little bit of something, if it's really close to him, you say, "Well, what do you do with that? How is that useful?" There is so much of it around you and you're seeing it, it becomes the important thing in society.
If someone disturbs you... they didn't kill you, but you really feel like "I wish this guy was dead"... you know that you will not kill him yourself, but if he gets struck by a truck or by a train, you would really be happy.
Let someone else take a crack at [your story]. Sometimes, even after time has passed, we're just too close to the thing. You don't want to kill your darlings or, maybe it's the opposite: you just want to kill all of it with cleansing fire. Let someone else confirm or veto your feelings. They'll also bring new questions and complexities to the table, too.
I appeal for cessation of hostilities, not because you are too exhausted to fight, but because war is bad in essence. You want to kill Nazism. You will never kill it by its indifferent adoption.
I imagine that in a closed, hermetic society like the mob, where everybody knows each other, it must be really, really unpleasant to have to kill people. It's the sort of thing you really want to avoid.
The cross to me is complete nonviolence because Jesus said, "Love your enemy. Do not kill." I realized that I could never kill anyone or hurt anyone, but I was committed to trying to bring about social and political and economic change.
When I was doing 'Generation Kill' in Africa I worked with five really super-trained Navy SEALs who taught us all these moves like how to disarm people: if there's a bar fight and someone's got a chair or there's someone with a gun behind our head, how to disable them and take them down in a swift move.
Krishna suprises Arjuna. He says go fight, go kill. Do this because it's only play money. You can't kill your friends any more than they can kill you.
I want to be someone who is doing something solid. And I am doing my thing. You can like it or not, but I know that now I have a really nice group of really cool and talented actors that follow me. It's the same for them. They have a special connection with my movies because we do these movies differently.
Even when you spar for real and fight with full contact in training, you get hurt or you hurt someone and you see them trying to fight back. I want to inject as much reality as possible into fight scenes, even if some of the moves are slightly larger than life, if the emotion is there you'll then still be able to buy it. I recall seeing some films where people perform an acrobatic flip mid-fight and land with graceful precision and it's almost like watching Zorro... it's almost whimsical but you're no longer engaged.
I, for one, love strength, daring, fortitude. I do not want people to kill the fight in them; I want them to fight for right things.
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