A Quote by Annabelle Wallis
I remember telling people I booked this job; they were like, 'What is it called?' I was like, 'Peaky Blinders,' and they were like, 'What?' It sounds ridiculous, but I like it because there's an instant intrigue about the name.
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I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'
When your 18th, 19, 20 years old like we were at that time, its just like anyone else, you look at like Silverchair and bands like that that are super young and sound extremely derivative of bands that were out at that current moment. As they sounded like 'Nirvana in pajamas' as we called them, we sounded like Bon Jovi and Skid Row and Motley Crue, because we were only influenced by what was out at the time because we were so young
I'm very, very excited because I'm just completing Episode 6 of Series 4 [of Peaky Blinders], which again I think is the best yet. And I'm loving it and it's not like work, it's not like a labor, I love doing it, and the boys are coming back and they're loving the scripts.
I remember when the O.J. verdict was read; at my high school, all of the teachers were like, "We are stopping class right now," and turned it on and we watched it. There were people coming out of their classrooms, like, "Yeah!" Some people were like, "Nooo." I was in Spanish class.
When I was in grade five or six, I just remember quite a lot of people were always talking about me like I was some kind of math genius. And there were just so many moments when I realized, like, okay, why can't I just be like some normal person and go have a 75% average like everyone else.
I began to understand that there were certain talkers - certain girls - whom people liked to listen to, not because of what they, the girls, had to say, but because of the delight they took in saying it. A delight in themselves, a shine on their faces, a conviction that whatever they were telling about was remarkable and that they themselves could not help but give pleasure. There might be other people - people like me - who didn't concede this, but that was their loss. And people like me would never be the audience these girls were after, anyway.
My dad's uncles were illegal bookmakers who were known in the area as Peaky Blinders, that's the stories I heard.
'Mercy,' I love conceptually because I feel like you can either think about it as if it were a girl - which it sounds like it could be about a girl - but I like to picture it as 'pleading for mercy for my career' type of thing.
I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!
I remember my first agent telling me - because they found me as an actor, but I was probably more interested in writing and maybe directing - they were like, 'Well, you can't do both things.' And I was like, 'I'm gonna show you.'
My favorite outfit is like a 'Peaky Blinders' kind of look. I have a really old-man style.
In the States a lot of Hispanic and black audiences are gravitating towards 'Peaky Blinders.' A mate of went into a bar in Santa Monica and sent me a photo of four blokes dressed as Peakies - they meet every week for a 'Peaky Blinders' evening.
For most of my childhood, I grew up in the countryside of England, where it was very suburban - there weren't a lot of people who were multicultural like my family. It was a place where the blonde and brunette girls in school were considered gorgeous. And because of that, I remember feeling like I wasn't good enough.
Honestly, I personally would prefer to have my name not mentioned alongside codifiers, like 'white rapper' or things like that, because the codifiers I like are Texas rappers. If you were to compare me to Lil' Keke or the people that really inspired me, like UGK... In my mind, that's who I think I should be compared to.
I was very skinny. You know when your knees don't even look like they're attached to your body? Kids at school called me 'Snap,' like my legs were about to snap because they were so thin.
I did feel like they were telling me that something like that was going to happen. Not specifically - not that planes were going to be flown into the World Trade Center or anything like that - but in the general sense.
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