A Quote by Annabelle Wallis
There's something amazing that happens when you don't have to think about how you look so much.
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I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing.
There's a lot of music nowadays with people singing about how amazing their clothes are and how incredible their shoes are and how much jewelry they might be wearing or how much jewelry they want, how much money they have and the club that they're in and the alcohol that they're drinking. I think that's showing off. I don't think it's necessarily all that honest or all that interesting.
I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner. How they respond determines the kinds of stories we tell.
It is not so much what happens to you as how you think about what happens." Epictetus
I feel like everything in my life has somehow just fallen into perfect place at the perfect time. I don't know how it happened. It's always like right at the point of my life about to fall apart, and then something amazing happens. I don't know how, but it happens.
You have to look at your blessings, don't you? With Thrones, I have to realize that, whatever happens, and for all the stress and the pressure that goes with it, it's been an extraordinary journey and I know I'll look back later in my life and think, 'That was crazy, that was amazing.' It's something that very, very few people experience, and I love that.
Frankly, I get much more sensitive about what's written about me than how I look in a photo. I'm so used to people seeing my image in plays and films that what they think about how I look is none of my business. If they says, "Hey, he doesn't look good," I'm like, Whatever, because I know I look different from day to day. But if you're up there putting your heart into something and people reject your performance, that's very painful. The written word can kick your ass.
When I hear people comparing Mike's [Jordan] work to Denzel [Washington] I think it's amazing.. Because Denzel is such an amazing, textured actor. And I think that that comes with Mike too. I'm not thinking about how they look, though; I'm thinking about what they're able to accomplish.
I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner.
I was amazed by how much you have to think about as a director. As an actor, you don't have to think about much at all, as it turns out. It's very easy. And then when you step into the director's role, there's this whole universe of stuff that you have to pay attention to that's amazing to me.
I think it is a burden... that we constantly realise that there isn't that much rhyme or reason to why something happens. If we think about that too much, it can make all of our decisions very stressful.
The most amazing thing is when you find yourself watching someone in the cafe or something doing something weird. It's amazing what people do, isn't it, when you just look at them, when you take the time to look.
Performing alone - it's a very solitary experience. When you're in a band, when something amazing happens on stage you can look at each other, "Yeah! we're so locked in." Or if something goes wrong, you can look at each other and shrug and say, "Oops." If you're doing it by yourself, you reflect on it in a completely different way.
Thirty was a big deal for me. It was the age where I reevaluated everything - how I approached life and how I thought about myself. When I look at my 20s, or when I look at any period in my life, I think about how much time I've wasted trying to find the right man.
I can't say enough about how I'm against drugs. Be smart, think about it, look at what it does to people, look at how much you have to experience in life and be courageous enough to do everything you want to without that chemical help.
One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.
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