A Quote by Annalee Newitz

We sometimes allow writers to publish their work without editing on io9. — © Annalee Newitz
We sometimes allow writers to publish their work without editing on io9.
You've probably heard the stories about how io9 got its name. And maybe you know that io9 co-founder Charlie Jane Anders and I were inspired by Kathy Keeton, whose groundbreaking magazine 'Omni' combined coverage of real science with science fiction. But what you probably don't know is how unlikely it was that io9 ever succeeded at all.
You must stop editing--or you'll never finish anything. Begin with a time-management decision that indicates when the editing is to be finished: the deadline from which you construct your revisionary agenda. Ask yourself, 'How much editing time is this project worth?' Then allow yourself that time. If it's a 1,000-word newspaper article, it's worth editing for an hour or two. Allow yourself no more. Do all the editing you want, but decide that the article will go out at the end of the allotted time, in the form it then possesses.
But it's clear to me that us slow-poke writers are a dying breed. It's amazing how thoroughly my young writing students have internalized the new machine rhythm, the rush many of my young writers are in to publish. The majority don't want to sit on a book for four, five years. The majority don't want to listen to the silence inside and outside for their artistic imprimatur. The majority want to publish fast, publish now.
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing.
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing
Of course, to publish something, you have to write it, polish it, then hire out the line editing, copy editing and cover design. After which, you pick your way through the minefield of conforming to the differing requirements of Amazon, Barnes & Noble and Smashwords, or hire someone to do it for you.
I think publishers need to be the ones that publish the books and control that process: finding writers, helping them with their work, finding readers. I think writers need that.
In France we have a law which doesn't allow the press to publish a photo that you didn't approve. It lets the paparazzi take the picture, but if they publish this picture, you have the choice to sue the newspaper. So me, I always sued them.
Editing requires you to be always open, always responding. It is very important, for example, not to allow yourself to want the writer to write a certain kind of book. Sometimes that's hard.
Send it to someone who can publish it. And if they won't publish it, send it to someone else who can publish it! And keep sending it! Of course, if no one will publish it, at that point you might want to think about doing something other than writing.
I think I learned most from editing, both editing myself and having someone else edit me. It's not always easy to have someone criticize your work, your baby. But if you can swallow your ego, you can really learn from the editing.
I am not a contest-enterer by nature. But contests - and their entry fees - are often the main way literary journals raise money to, you know, publish their issues. So entering contests helps support the journal, which also helps support the writers they publish.
I think I write or publish as much as I do because I can bear being without a book to work on.
[Mid-list writers are now] less greed on the part of both publishers and chain booksellers. It is easier for them to publish and sell only blockbusters and leave the real work to small presses.
Why are you uncomfortable with the supernaturalist worldview of the biblical writers? Evangelicals don't want to just say, "Well, the inspired writers were wrong about some of their beliefs about the spiritual world and its inhabitants." That really doesn't work in a confessional situation! So instead we come up with excuses and interpretations that allow us to remake the biblical writers in our own post-Enlightenment image. I understand that impulse, but it's not honest.
Most fledgling and mid-list writers are lucky to be offered a 4-figure sum and are not only expected to deliver copy that needs minimal editing but also take an active part in marketing and publicizing their work.
This site uses cookies to ensure you get the best experience. More info...
Got it!