A Quote by Annalee Newitz
I think it's the process of demystification, and realizing that we are not talking about some supernatural nightmare - we're talking about a natural process that the planet has gone through before, and which animals have survived before.
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She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
Kids are coming online and connecting at a pace that's faster than their physical maturation process. Would you ever imagine that you'd have to talk to your kid about phishing before you're talking to him about the birds and the bees?
You can write a whole fiction, and you're talking to people who have gone through that, in real life. But the truth of it is that when you're talking to those people, you don't care about your movie anymore. You just want to hear about what they have gone through. You want all of the details. It's amazing.
It seems to me that we make a terrible mistake in talking about Trump as some kind of essence of evil. Trump is symptomatic of something much deeper in the culture, whether we're talking about the militarization of everyday life, whether we're talking about the criminalization of social problems, or whether we're talking about the way in which money has absolutely corrupted politics. This is a country that is sliding into authoritarianism.
Remember, we're talking [in The Black Power Mixtape] about 1967, the year before [Martin Luther] King's assassination. We're talking about the emergence of black power, which is a discussion King mentioned in his last book, Where Do We Go from Here: Chaos or Community? We're talking about the meaning of black power and the possibility that it alienated our supporters, both white and black.
When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors to get your vision, but it's hard to imagine even this process... sitting here nine months later talking about the film and talking about it 20 times in one day. You don't even think about the part where you come to the set every morning and everyone's looking at you to see your mood in order to see what the day is going to be like, and the influence that you wield.
I love everything about food; if you took it away you would be depriving me of one of my greatest pleasures. I love the whole process of it - buying it, cooking it, eating it, talking about it, talking over it.
Everybody's still talking about diplomacy and I'm very hopeful that as long as we talk about diplomacy, as long as we're not talking about enforcement measures, sanctions, et cetera, we are on the right track. But we need to accelerate the process.
The left keeps talking about impeachment. I mean, they were talking about impeachment before Donald Trump's inauguration in 2017. And, you know, I think impeaching Obama in January probably would have been a mistake.
People are talking about sex. They're talking about sex with their husbands. They're talking about sex with their girlfriends. They're talking about sex with their partners. And because of all of this communication, women are having much more intimate relationships, which is fantastic.
I am talking and really talking on this very entrenched power structure, and what we're doing is we're talking about the power structure, we're talking about its entrenchment. As a result, the media is going through what they have to go through to.
We're talking about a prison-industrial complex. We're talking about a war on drugs that's generating unprecedented levels of incarcerated folk. We're talking about dilapidated housing. We're talking about joblessness and underemployment.
I think in the whole field of questions about what we take to be "real," one of those questions is about the self. When you talk about the self we're always talking about whether it's a construction and it's a construction we're always in the process of working on. I don't think that work ever ends, to some degree.
Now let me step back from the problem and very generally discuss natural selection and what we know about it. I think it is safe to say that we know for sure that natural selection, as a process, does work. There is a mountain of experimental and observational evidence, much of it predating genetics, which shows that natural selection as a biological process works.
The reason I dislike talking about the creative process is that I do have a creative process that is a winner and it's a sure thing.
I don't usually like talking about acting or what my process is, and all those kinds of things, because I don't necessarily think it's helpful to talk about how I do my job.
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