A Quote by Annaleigh Ashford
I'm really excited to share cabaret, the art form, not just with the generations that are above me, but also my generation and the generation under me. I think it's an art form that's incredibly important, and I think that my generation is a little unfamiliar with it.
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There are a lot of people of my generation in New Zealand literature, young writers on their first or second books, that I'm just really excited about. There seems to be a big gap between the generation above and us; it seems to be quite radically different in terms of form and approach.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
All of the generations go to what is chic for them, and theater seems to be an older generation's art form.
It must be understood that prime matter, and form as well, is neither generated nor corrupted, because every generation is from something to something. Now that from which generation proceeds is matter, and that to which it proceeds is form. So that, if matter or form were generated, there would be a matter for matter and a form for form, endlessly. Whence, there is generation only of the composite, properly speaking.
My generation those who were students in the late 60s was always, in the words of the Who, talking about our generation. That's what we thought of ourselves, as the most important thing since sliced bread. And the "we" that we meant was really the Western Europeans and American generation. And as I think back I suppose I have a sense of guilt on behalf of my generation, a sense that we were terribly provincial and didn't understand the really important stuff that was going on in Eastern Europe.
No generation is interested in art in quite the same way as any other; each generation, like each individual, brings to the contemplation of art its own categories of appreciation, makes its own demands upon art, and has its own uses for art.
I think with each generation comes more opportunity. At least that's the way that I see it. I grew up in a generation that watched the birth of the internet. We all have. But I feel like I look around at the generation younger than me and it's a very opportunistic mantra.
I think I realized it was an art form at the beginning, but it took me a really long time before I was able to view what I was performing myself as an art form.
What's really important for me is, as an old man, I'm known by my own generation and the next generation know me, too.
My generation was going to change the direction America took. I was completely convinced that we would have a very different kind of society as a result of the protests that I was part of, and I think that's partially true. We obviously never really got to what many of my generation believed was possible, but the amount of change I've seen in my lifetime, both social change and political change, is staggering. I think my generation can take a little bit of credit for that by just opening up the conversation.
I think rap definitely has its place in the art world. I think it is an art form. But, just like any art form, you can misuse it.
Every generation trash-talks younger generations. Baby boomers labeled Generation X a group of tattooed slackers and materialists; Generation Xers have branded millennials as iPhone-addicted brats.
I think my broadcast partner Mike Gorman said it best. He said there's a generation of fans who know me as a player and there's a generation of fans who know me as a coach and now there's a generation of fans who think I'm Shrek!
Each generation is tough! I'm still learning my generation. The desire to connect has to be present and evident. My generation thrives off of transparency and we can see through inauthenticity. On the contrary, we cling to what is real and genuine. While tradition and customs are important in their place, it's also important to be able to meet people where they are and speak their language a little bit. If this isn't done, you'll have a very difficult time connecting with young people.
I don't think for this generation, but for my generation and my father's generation, men had difficulty in accessing emotion and then being able to talk about it.
Generation after generation, there is this never-ending, contemptuous, condescending attitude to the next generation or the next way of thinking: music, art, politics, whatever. And I have never been like that.
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