A Quote by AnnaSophia Robb

I only want to do good projects. I want to make good decisions. If it's just a dumb movie, then no, I'd rather stay in school. But if it's a movie worth telling and that I think I would really benefit from, then I would like to do it. And that's one of the reasons I still live in Colorado. I love being with my family and going to school, and then when I come out to L.A., that is the time to be in the movies. People ask me the questions, I do the promotion work, then I get to go back home and live my life.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.
I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.
But if you really want to get involved in making a difference, you can stay at home with your family and have a job and make a reasonable living without having to be on an airplane all of the time, then you ought to go back home and run for School Board.
It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.
I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.
I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
I love the theatre. It's a perfect life for an actor: you can do a couple of movies and then go and do a play, and then go back and do another movie. It's a nice way to live your life.
I've personally been involved in movies where people on set were talking about awards for the movie, and I bought into the hype. And then the movie would come out, and not only was it not good, it was horrible.
Making movies has not only been an incredibly collaborative process but there's three big parts: pre-production, shooting itself and then post-production, which leads into marketing. And if you're passionate about the movie and you believe in it, and it would make sense that you are having done it, then you want to get out and promote it. It makes it a lot easier when the film is good and people are enjoying it.
I hear a lot of, "We want to make a movie with you." Then "No, we don't want to make this one. We want to make that other movie with you." I don't really get that and it's very frustrating. It angers me. Because my movies are my movies.
I wanted to write and then I saw Pierrot and I understand that I could express myself in a more... Also probably, I had an intuition that if I was going to only write, I will stay in one room all the time and never go out. I felt that if I was going to make movies, I would have to communicate with people and it would be good for me.
When I'm making a movie, it's making use of my creative juices, and it fills me up with what really is - I think my purpose here is to tell stories. When I'm not, then I really have to learn how to live life and make use of the time properly. I'm not always great at making those decisions, but when it comes to working, my time is totally taken up. I have no option except to get up early in the morning and to work on that movie and to finish. But I take that with a pinch of salt, because I also love my time off.
I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.
I would not like to live in the past because you don't get anesthetic when you go to the dentist. You don't get antibiotics. You don't get the things that you are used to now, cell phones and televisions and things that are very convenient. You don't want that. But, it would be fun if you could, every now and then, just meet a friend for lunch at Maxim's in Paris in 1900, or go back to 1870 just for a couple of hours, take a walk in the park, and then come right back to Broadway.
This site uses cookies to ensure you get the best experience. More info...
Got it!