A Quote by Anne Bancroft

The author of haiku should be absent, and only the haiku present. — © Anne Bancroft
The author of haiku should be absent, and only the haiku present.
Haiku is a particularly Zen form of poetry; for Zen detests egoism in the form of calculated effects or self-glorification of any sort. The author of haiku should be absent, and only the haiku present.
Real haiku is the soul of poetry. Anything that is not actually present in one's heart is not haiku. The moon glows, flowers bloom, insects cry, water flows. There is no place we cannot find flowers or think of the moon. This is the essence of haiku. Go beyond the restrictions of your era, forget about purpose or meaning, separate yourself from historical limitations—there you will find the essence of true art, religion, and science.
He who creates three to five haiku poems during a lifetime is a haiku poet. He who attains to completes ten is a master.
The haiku reproduces the designating gesture of the child pointing at whatever it is (the haiku shows no partiality for the subject), merely saying: that!
What I'm trying to do is to tell young people that I teach them how to breathe before I teach the haiku. That one breath, that one breath, because the haiku keeps you alive. It keeps you going. If you learn how to breath the haiku, you learn how to breathe. If you learn how to breathe, you're much healthier.
Yoko [Ono] was showing me some of these Haiku in the original. The difference between them and Long fellow is immense. Instead of a long flowery poem the Haiku would say 'Yellow flower in white bowl on wooden table' which gives you the whole picture.
What is the beauty of the haiku is that it is not simplistic. The beauty of the haiku I just said is very complex. It reaches all the complexities of our life on this Earth. Peace - that's a very complex idea, peace, so we can't get it as human beings.
Regarding R. H. Blyth: The first book in English based on the saijiki is R. H. Blyth's Haiku, published in four volumes from 1949 to 1952. After the first, background volume, the remaining three consist of a collection of Japanese haiku with translations, all organized by season, and within the seasons by traditional categories and about three hundred seasonal topics.
Regarding R. H. Blyth: Blyth's four volume Haiku became especially popular at this time [1950's] because his translations were based on the assumption that the haiku was the poetic expression of Zen. Not surprisingly, his books attracted the attention of the Beat school, most notably writers such as Allen Ginsberg, Gary Snyder and Jack Kerouac, all of whom had a prior interest in Zen.
I've seen people twitter in haiku only.
The only problem with Haiku is that you just get started and then
But a haiku by Buson came into his mind: 'I try to forget this senile love; a chilly autumn shower.' The gloom only grew denser.
A book cover is a distillation. It is a haiku of the story.
If you wanted to, you could write history in Haiku.
Meaning lies as much in the mind of the reader as in the Haiku.
I guess haiku is an inspiration for me. Everyday, simple moments.
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