A Quote by Anne Carson
Maybe I could have been good as a drawer if I had done it as much as I did writing, but it's more scary to draw. It's more revealing. You can't disguise yourself in drawing.
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On the 31st of October 2011 year, I had a mini-stroke. I couldn't finish my sentences. So I went to the doctor. It was a tiny one. The speech came back in a month or so. I did notice I could draw even better, I felt. I was concentrating more. And I wasn't talking much, but I was drawing. I said, "Well, I don't have to talk much."
You're revealing something about yourself in a more exaggerated, more fleshed-out way, and it awakens something in you that maybe you didn't know you had.
I knew I wasn't that good a writer, and all I could remember was that I could draw. I'm better at drawing than I am at writing.
In my writing class, we never, ever talk about the writing - ever. We never address a story that's been read. I also won't let anyone look at the person who's reading. No eye contact; everybody has to draw a spiral. And I would like to do a drawing class where we could talk about anything except for the drawing. No one could even mention it.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
I know I've done good work. I've been very serious about my writing, and I've done the best that I could. But I don't feel that I've done more than I should have. In fact, I've done less than I should have.
I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild.
With all the opportunities I had, I could have done more. And if I'd done more, I could have been quite remarkable.
Drawing is more fun to me than writing. I think it's interesting to talk to different cartoonists about how those activities work for them. I'm a very writerly cartoonist. I certainly spend more time on the writing than I do on the drawing, even though the drawing, of course, is very time-consuming.
All comic books take place in built environments, and I was very good at drawing people and animals, and stuff like that, but I hadn't spent much energy drawing buildings. So I thought, maybe I could, and then I became an architect.
I've always loved to write. I've been writing a lot longer than I've been acting, and I hope to continue to do that and maybe do it a little bit more in terms of, like, writing movies that I could potentially act in.
Drawing and color are not separate at all; in so far as you paint, you draw. The more color harmonizes, the more exact the drawing becomes. When the color achieves richness, the form attains its fullness also
When I had finished the book I knew that no matter what Scott did, nor how he behaved, I must know it was like a sickness and be of any help I could to him and try to be a good friend. He had many good, good friends, more than anyone I knew. But I enlisted as one more, whether I could be of any use to him or not. If he could write a book as fine as The Great Gatsby I was sure that he could write an even better one. I did not know Zelda yet, and so I did not know the terrible odds that were against him. But we were to find them out soon enough.
So remember, if you're feeling bitter - or sorry for yourself about what you've done, and how much good you've accomplished - or if you find yourself more than anyone else talking about the good you've done, you're doing it for the wrong reasons, because it should be the default.
Every day, possibly every hour as an entrepreneur, you do something that you absolutely could have done better with more time, more information, more experience, or more money - all luxuries you can't afford. So you do your best, and you move forward. The key is to see the forward momentum and not beat yourself up about how it could have been better.
I would like to say to children, 'Don't stop drawing. Don't tell yourself you can't draw.' Everyone can draw. If you make a mark on a page, you can draw.
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