A Quote by Anne Carson
One of the principle qualities of pain is that it demands an explanation.
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I have said that each aspect of the novel demands a different quality of the reader. Well, the prophetic aspect demands two qualities: humility and the suspension of the sense of humour.
Torture presupposes, it requires, it craves the abrogation of our capacity to imagine others suffering, dehumanizing them so much that their pain is not our pain. It demands this of the torturer, placing the victim outside and beyond any form of compassion or empathy, but also demands of everyone else the same distancing, the same numbness.
It is a presumption on the part of man when he demands in words an explanation of God.
Does what's happened keep you from acting with justice, generosity, self-control, sanity, prudence, honesty, humility, straightforward ness, and all other qualities that allow a person's nature to fulfill itself? So remember this principle when something threatens to cause you pain: the thing itself was no misfortune at all; to endure it and prevail is great good fortune.
I consider the domestic virtue of the Americans as the principle source of all their other qualities. It acts as a promoter of industry, as a stimulus to enterprise and as the most powerful restraint of public vice. . . . No government could be established on the same principle as that of the United States with a different code of morals.
I don't believe in inspiration at all. We live in a world that demands explanation. And fiction has the capability to offer explanations for things.
And never - not in a single case - was the explanation, 'I was pressured to do this.' The explanation was very often, 'The limited data we had led one to reasonably conclude this. I now see that there's another explanation for it.'
The emotional, physical and aesthetic value of a sound is linked not only to the causal explanation we attribute to it but also to its own qualities of timbre and texture, to its own personal vibration. So just as directors and cinematographers (even those who will never make abstract films) have everything to gain by refining their knowledge of visual materials and textures, we can similarly benefit from disciplined attention to the inherent qualities of sounds.
As I became aware that all things have unique spatial and temporal qualities which visually define and relate them, I began to perceive the things I was photographing not as objects but as events. Working to develop my skills of perceiving and symbolizing these event qualities, I discovered the principle of opposites. When, for example, I photographed the smooth, luminous body of a woman behind a dirty cobwebbed window, I found that the qualities of each event were enhanced and the universal forces which they manifested were more powerfully evoked.
The feature of living matter that most demands explanation is that it is almost unimaginably complicated in directions that convey a powerful illusion of deliberate design.
Reality is a harsh mistress. She demands our honesty. She demands our work. She demands that we give up comforts, that we let ourselves feel pain, that we accept how small we are and how little control we have over our lives. And she demands that we make her our top priority. But she is more beautiful, and more powerful, and more surprising, and more fascinating, and more endlessly rewarding, than anything we could ever make up about her.
Whatever the explanation, it's perfectly obvious that our educational system has nothing to do with education: it's a babysitting service designed to replicate the worst qualities of the parents.
There's a difference between a mystery and a question. Questions demand answers, but a mystery demands something more valuable-explanation.
[I]n principle and in practice, in a right track and in a wrong one, the rarest of all human qualities is consistency.
The portrait is one of the most curious art forms. It demands special qualities in the artist, and an almost total kinship with the model.
In spite of all similarities, every living situation has, like a newborn child, a new face, that has never been before and will never come again. It demands of you a reaction that cannot be prepared beforehand. It demands nothing of what is past. It demands presence, responsibility; it demands you.
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