A Quote by Anne Desclos

You have to get past the pleasure stage, until you reach the stage of tears. — © Anne Desclos
You have to get past the pleasure stage, until you reach the stage of tears.
As a matter of fact," the other voice went on, "if you do tie her up from time to time, or whip her just a little, and she begins to like it, that's no good either. You have to get past the pleasure stage, until you reach the stage of tears.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
My hold on the past and the future is precarious and my possession of my own time is always postponed until a stage when I may fully understand it, yet this stage can never be reached, since it would be one more moment bounded by the horizon of its future, and requiring in its turn, further developments in order to be understood.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
The whole concept of stage fright is fascinating. Actors get stage fright, but they wouldn't be on the stage in the first place if they just succumbed to it. There's this love/hate relationship with the spotlight.
We are fast approaching the stage of the ultimate inversion: the stage where the government is free to do anything it pleases, while the citizens may act only by permission; which is the stage of the darkest periods of human history, the stage of rule by brute force.
For me, every time I step on the stage it feels like a battle is about to start. It's not like we're going on stage to fight against our audience obviously, because for me, when I go on stage, I'm always trying to reach a new level of how am I going to make today a great night for everyone that's present.
I don't have a role model, but I certainly have always enjoyed Neil Young. I had the great pleasure and opportunity to watch him from the side of the stage on a couple of occasions, and his on-stage sound is incredible.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
Morality is a venereal disease. Its primary stage is called virtue; its secondary stage, boredom; its tertiary stage, syphilis.
I've reached the stage of my life where learning is so important to me. I go through the past enough when I play my old songs on stage. And I don't mind doing that. But I want to think about the future.
Each department of knowledge passes through three stages. The theoretic stage; the theological stage and the metaphysical or abstract stage.
You always get nervous on stage because when you get up there, you want to do great. The crowd has you pumped up so there are always a little bit of butterflies. That's all part of it. But as far as getting stage fright, clamming up there, not generally, I just enjoy it on stage and have a great time.
The normative theoretical claim that a higher stage is philosophically a better stage is one necessary part of a psychological explanation of sequential stage movement.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
Feminism will never reach the next stage until women stop competing with each other on the level of looks.
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