A Quote by Anne Dudley

Composers are always going back to the past. — © Anne Dudley
Composers are always going back to the past.
In fact, if you take any group of scores, it's likely that fifty to sixty percent are going to be so much alike that it's difficult to tell any difference among them. But I sometimes wonder if that has more to do with the quality of the art that's being made. There are always those composers who are going to move toward whatever is currently in fashion, there are others who will deliberately attempt to go in another direction. And sometimes, there are composers who will see themselves as being outside the stream and not even try to present their music to the general public.
The great composers I worked with along the way, I always felt they were filmmakers more than composers. They would talk about the story rather than the music.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
My losses and my victories are in the past. I think of the future. After a fight is over, it's in the past. I always have to go back to the gym and train to improve in all areas, winning or losing. I think I can always do better next time.
I think, you know, for someone who does play, let's say, old music or, you know, Baroque music or Renaissance music - and you know, and I do play a lot of that, obviously - engaging with new composers, engaging with young composers, is really exciting because it makes me look at people of the past in a very different way that they are also living, that there was a lot of subjectivity in the decisions that they were making.
The past is the past. We're not going to spend energy on the past, because it's going to detract from us going forward.
Not going back is fine. Not going back but occasionally visiting might be best. Not going back but remembering so you don’t see the same view twice. Not going back so you can turn a new page, write a new chapter, develop an entire new list. Not going back so you can stretch and grow and see yourself in a light that you never knew existed. Not going back so that you can fly. Fly.
Miley is always on, she’s always funny, she’s always writing songs, she’s always making music. The parallel of the film is like Miley says, going back to her home, going back to her roots. Getting back to Tennessee was art imitating life imitating art.
Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries.
Communists love to make films about composers, because composers compose music and don't talk subversive things.
Communists love to make films about composers because composers compose music and don't talk subversive things.
Composers can do things that weren't allowed in the 17th century. Until we had composers like Igor Stravinsky and Sergei Rachmaninoff to break the rules.
We think that the world is limited and explained by its past. We tend to think that what happened in the past determines what is going to happen next, and we do not see that it is exactly the other way around! What is always the source of the world is the present; the past doesn't explain a thing. The past trails behind the present like the wake of a ship and eventually disappears.
I think that live shows are more important for singers than composers, because composers still get a lot of recognition as compared to a singer.
There's no going back from what happened. You can go back and understand the past, but you can't go back and change it.
The book begins and ends with the visits to give the impression of a tunnel into their ancestors and family history. I believe in going backwards into the past - I felt I was digging a tunnel back to the past.
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