A Quote by Anne Dudley

I always think it's important to choose your initial theme very carefully because you're going to be married to it for a long time. You might have to generate an hour's worth of music from a very short, little piece of theme.
I'm sure you have a theme: the theme of your life. You can embellish it or desecrate it, but it's your theme, and as long as you follow it, you will experience harmony and peace of mind.
My secret ambition was always to provide music for animation films: something with an Indian theme, either a fairy tale or mythological tale or on the Krishna theme. I still have a very deep desire, but these sorts of chances don't always come.
I haven't written a novel or something that long, because I really am improvising all along and the story is growing new limbs to do what it needs to do. So there's very little planning. There's a little planning where I say, "Well, it looks like I'm going in this direction, ok, good." But there's very little forethought or intellectual justification: "Oh, look, I'm putting in a theme park because that represents dystopian America!"
Story is important but the most important is the theme and how you're going to convey theme cinematically. I'm a believer also.
If you see a theme that you might want to take a photo of, you sort of stand there for an hour waiting for it to resolve, waiting for the geometry of a theme to be exactly what you want them to be. That was my process to get photos.
I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
I'm a long time [Scott] Fitzgerald fan, as probably everyone in America is. And I've always been fascinated by that theme of, what is the price of the American dream and what parts of your soul do you walk away with? The conflict of art versus commerce was also very interesting to me.
I want to make theme-setting music, music that sets a theme without being cliche.
Group shows are always much harder to present to the public because there's a theme to the show. They always do less well because a theme is a harder thing for people to grapple with than a monographic idea.
From the inception of this series, Mike and I were very interested in exploring the theme of tradition versus progress. We always like the struggle for balance to be a central theme of our stories, so as we introduce all of these changes to the 'Avatar' world, we get to see how people react and try to realign themselves.
I found this really fantastic used record store in Japan, and I bought all these different records and different 45s, and one of the 45s was just, it had the theme, "Green Leaves of Summer," the theme to "The Alamo" on one side, and then on the flip side was a theme to, the theme to "The Magnificent Seven."
I choose my work very carefully, always for the script and the director, and I don't think that's going to change. My work is like a house. It's built on very strong poles.
It's like a piece of music; you never lose sight of the theme. Each scene pushes off to the next like music builds and you can almost hear the next chord progression, so it has a strict structure, which is very compelling.
Secrets are very intriguing - I always think that's an interesting theme.
Secrets are very intriguing - I always think thats an interesting theme.
Back in the day you wanted your albums to have a theme, and 'Sports' theme was really a collection of singles. It was really a record for its time.
This site uses cookies to ensure you get the best experience. More info...
Got it!