A Quote by Anne Dudley

Film scores are often based on short themes, and it helps if you've got some way of developing these themes and making them sometimes last 4 minutes and sometimes last 40 seconds. One ends up doing it subconsciously.

Anne Dudley

Quote Topics

Based Developing Doing Ends Film Film Scores Got Helps Last Making Minutes Often Scores Seconds Short Some Sometimes Them Themes Up Way

Quote Author

Anne Dudley
English - Composer
Born: May 7, 1956

Film scores are often based on short themes, and it helps if youve got some way of developing these themes and making them sometimes last 4 minutes and sometimes last 40 seconds. One ends up doing it subconsciously.

Anne Dudley

I carry themes in my mind for years before I will try to compose them. I've got themes that will last me now 'til I die.

R. B. Kitaj

If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.

Wes Anderson

Sometimes having good games. Sometimes bad ones. Sometimes making shots, and sometimes not. I'm the same guy, and I always said that winning the championship or not winning it, scoring 20 the last game or second-to-last or whatever, or zero, is not going to change who I am or the decision I make.

Manu Ginobili

MMA's not like a game like basketball, for example, that if you're winning by 30, 40 points and there's just five minutes left, you can do whatever you want because the guy isn't going to beat you. In MMA, you can get beaten in the last minute of the fight, or the last second of the fight, so sometimes you've got to be safe.

Demian Maia

[Robert] Ford had the idea that through fame he would receive some personal validity, but he didn't. I feel that these are not the main themes, but certainly themes that are at play in this film [Assassination of Jesse James].

Brad Pitt

You can get anything from Mozilla Firefox-based themes to nature themes to your own photographs.

Mitchell Baker

I think the power of the short film is incredibly underrated. It is way easier to get someone to watch a 15-minute film then a full-length feature. In those 15 minutes you have the opportunity to express your voice as an artist and hopefully connect with your audience. If you are trying to be a first time feature director then a short film that demonstrates you have a grasp on the themes and concepts of the movie you want to direct is a no-brainer. Whether they are collaborators or potential investors, filmmaking is a visual art form so you obviously need visuals to show them!

Nicholas Ozeki

We learnt a lot because we got in with real choreographers who tell you what they need from a song, because a song has to advance the story. Then real directors like Mike Nichols tell you where you can have 'B themes' and 'C themes', and we go oh yes, B themes and C themes! So we were taught in the finest school amongst the finest people. And also by the school of experience.

Eric Idle

I need to be spontaneous sometimes. Sometimes I find that the little detail or nuance that you add to it that's based on what's happening at the time that's not very rehearsed often ends up feeling like the funniest thing.

Thomas Lennon

To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic. These essays are about that magic — which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.

Tom Bissell

I don't want to deal with big, grand themes in my stories; art has nothing to do with themes. When you deal with themes, you are not creating; you are lecturing.

Tatyana Tolstaya

My approach to making music has always been making ideas and developing them. Sometimes I develop them all the way by myself. The other part of development is I will work with my friends who are just some of the best producers in the world, give them an idea.

Frank Dukes

Bixio-Frizzi-Tempera was a real co-operative team. My first instrument was the guitar, Tempera played piano and keyboards, themes were composed sometimes by one, sometimes by the other, sometimes together.