A Quote by Anne Enright

I love the characters not knowing everything and the reader knowing more than them. There's more mischief in that and more room for seriousness, too. — © Anne Enright
I love the characters not knowing everything and the reader knowing more than them. There's more mischief in that and more room for seriousness, too.
Self-esteem creates natural highs. Knowing that you're lovable helps you to love more. Knowing that you're important helps you to make a difference to to others. Knowing that you are capable empowers you to create more. Knowing that you're valuable and that you have a special place in the universe is a serene spiritual joy in itself.
I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different.
I do wish that I had gone to college, just for the simple fact that knowing more than one approach makes you more well-rounded. But I still can't say knowing what I know now, that I would have done it any differently.
The more comprehensive your language is, the more likely people are to believe everything you're saying. It really just comes from the power of knowing you're the smartest person in the room, and if you aren't, you're definitely going to sound like it.
I think the game has grown so much and I was definitely there a lot. I'd say more so less the style of play, but more knowing individual players and their tendencies and knowing which players are going to be key threats for them.
Knowing what you can not do is more important than knowing what you can do. In fact, that's good taste.
Knowing you’re worthless doesn’t give you value any more than knowing you are a captive sets you free.
I think knowing what you cannot do is more important than knowing what you can.
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.
The narrative image has more dimensions than the painted image - literature is more complex than painting. Initially, this complexity represents a disadvantage, because the reader has to concentrate much more than when they're looking at a canvas. It gives the author, on the other hand, the opportunity to feel like a creator: they can offer their readers a world in which there's room for everyone, as every reader has their own reading and vision.
We’re on this planet for too short a time. And at the end of the day, what’s more important? Knowing that a few meaningless figures balanced—or knowing that you were the person you wanted to be?
Afflictions make the heart more deep, more experimental, more knowing and profound, and so, more able to hold, to contain, and beat more.
There is a comfort zone of knowing where things are going and having characters in place, but the action gets more and more dramatic and is very challenging to describe.
I cared more about your happiness than your knowing the truth, more for your peace of mind than my plan, more for your life than the lives that might be lost if the plan failed. In other words I acted exactly as Voldemort expects we fools who love to act.
I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.
You can't say, 'You're a scorer, you score. You rebound, you rebound.' Basketball is more than that. Basketball is knowing the next step, knowing the next play, knowing how to make things happen.
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