A Quote by Anne Enright
I find being Irish quite a wearing thing. It takes so much work because it is a social construction. People think you are going to be this, this, and this.
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You have to think for an email. What's the subject? What's it about? It takes two seconds to think about that. So you have to think, Is this a work thing or a social thing? Which? Then you get into a situation that you don't want to be in, because then people are thinking about it too much.
I think women are in much the same place in the Irish theater as they are everywhere else. Certainly, we have wonderful Irish writers, and we have quite a number of Irish women directors. But there could be more, and there should be more.
Irish is harder to pull off. I know southern people and I really like the midwest, so I can tap into that a little bit. It's easier to sound angry with southern than it is Irish. Yelling Irish you can sound like an angry Leprechaun. I think me screaming like I am going to kill you in Irish doesn't work.
I travel a lot because of work. Also but because of that, I think I get inspired by what you're wearing, what everybody's wearing. I like to people watch.
I think the most important thing is to feel comfortable. And if you don't feel comfortable with what you're wearing it really shows. Just make sure you find your own style rather than going with what everyone else is wearing. If you feel comfortable, it's going to get you noticed in the right way. That's better than worrying about what everyone else is wearing and feeling awkward. That's the most important thing.
This is one of the good parts of being a freelancer - you get to choose the spot you're going to be working at. But I wouldn't base everything on my social media or my work. I'm also a person and I have my personal life. So my social media is my work. It's an important part of my life but it's not my life. People tend to get the wrong idea because they only see the good stuff but it's just my work. I'm trying to portray only the good stuff and what I think is going to be inspiring. I have a personal Instagram where my friends follow me.
I used to think she was quite intelligent , in my stupidity. The reason I did was because she knew quite a lot about the theater and plays and literature and all that stuff. If somebody knows quite a lot about all those things, it takes you quite a while to find out whether they're really stupid or not.
In a very philosophic sense I think doing the work is itself a good thing. But at the end of the day, since we're taking other people's shekels to do it, and their work is being able to make a return out of it, it forces you to consider the fact that you're doing it for other people. The whole construct is built around the assumption that it's going to get shared, and that someone else is going to find value in it - entertainment, catharsis, enlightenment, or whatever.
Seriously, I think it is a grave fault in life that so much time is wasted in social matters, because it not only takes up time when you might be doing individual private things, but it prevents you storing up the psychic energy that can then be released to create art or whatever it is. It's terrible the way we scotch silence & solitude at every turn, quite suicidal. I can't see how to avoid it, without being very rich or very unpopular, & it does worry me, for time is slipping by , and nothing is done. It isn't as if anything was gained by this social frivolity, It isn't: it's just a waste.
I think, myself, I would be quite guilty about wearing the same thing all the time. I would find something that works and stick with it.
Most people respond to my paintings quite generously, but there have been cases where I think people - a few critics in particular - were actually moved by the work but were disturbed by the feelings it evoked, so they attacked it. Some people find the realm of my work quite uncomfortable.
The social and physical construction of suburban America really was quite complex. It was a very elaborate system, and clearly a massive social engineering project that has changed U.S. society enormously.
No one would ever cast me as an aristocrat. I think the big thing about being an Irish artist is access to melancholy. Especially the American Irish. The availability of loss, some kind of pain, is an important part of who we are. I think my Irishness gave me that.
I understand, certain scenes have to have a lot of takes. As an actor, I think it's quite nice to have a handful of takes, because you don't want to do it once or twice; I think once or twice sometimes is quite terrifying because you don't really feel like you've given them what you want.
I think people are a mixture of everything. I like desperate characters because they do things that most of us normally wouldn't do. If a character is a scoundrel or a liar you think you know them, but then I can bring some emotion to them and they become much fuller than you ever imagined. So what I try to do is have a story where you don't quite know where it's going, and characters who you don't quite know where they're going.
If they were going to go to London or to the UK to find out how health care is, national health care doesn't work, all they have to do is go to the Soviet Union to find out how communism and socialism didn't work, but it hasn't dissuaded them from trying it here because they think the only thing that hasn't happened is the right people haven't tried it with the proper funding.
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