A Quote by Anne Enright

I never wanted to be mainstream as a writer, but look at what's happened. — © Anne Enright
I never wanted to be mainstream as a writer, but look at what's happened.
Writing happened to me. I didn't decide to start writing or to be a writer. I never wanted to be a writer.
I have always felt validated and it shouldn't take film to do that for writer, but I'm glad it has. My plan has always been to be read more widely by doing just what I've always done. I wanted to break into the mainstream without becoming mainstream.
I never wanted to be a celebrity writer. I wanted to be a good writer. I'm still trying to be a good writer. That's what gets me out of bed in the morning.
I mean, maybe I'm alternative in that my stuff's not mainstream, doesn't want to be mainstream, could never be mainstream.
I never really wanted to be a journalist, honestly. I always wanted to be a writer, and I thought the only way to apply that interest was with journalism - when you're young and you want to be a writer, it seems like the most practical thing to do with those types of ambitions.
I never wanted to look back on my career and be embarrassed about work that I chose to do. I never wanted to look at character I've done and cringe.
It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.
We had all these famous writers in Sweden and from all over the world home at dinner. I wanted to be a writer, and I wanted to be a highbrow writer as my father. He never, ever read anything like crime novels. He wrote biographies of Dante, James Joyce, August Strindberg and Joseph Conrad.
Mainstream's never appealed to me, really. I mean, I've become popular over the years in certain areas. But mainstream, you know, I would rather the mainstream come to me.
I used to object to being called an Indian writer, and would always say I was a writer who happened to be an Indian, and who happened to write about Indians.
I never wanted to be a literary writer. I wanted to be an entertainer. All I wanted was to give what a lot of writers had given me: a good time on a bad day.
When I was at school I wanted to be a writer and an actress. Then this whole modelling thing happened.
I could have been a cult writer if I'd kept writing surrealistic novels. But I wanted to break into the mainstream, so I had to prove that I could write a realistic book.
I never wanted to be "a writer"; I only ever aspired to be an science fiction writer. They'll tear that badge out of my cold dead hands.
When drum'n'bass happened, when the two-step/garage thing happened, there was a chart smash every week; it operated on the underground and the pinnacle of pop mainstream at the same time.
In my opinion, I feel like all versions of 'Deathstroke' are valid. Just like with 'Black Panther,' I felt like it wasn't good for a writer to say another writer's work was invalid or never happened.
This site uses cookies to ensure you get the best experience. More info...
Got it!