A Quote by Anne Enright

A novel is written not to be judged, but experienced. — © Anne Enright
A novel is written not to be judged, but experienced.
I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing.
I would say the reason that I've never written a novel is because I've never written a novel.
I'd never written a novel before, and I wrote a novel, and that turned out OK.
A novel, especially a first novel, is... really an emotional autobiography. All these emotions I'm embarrassed at having had, I've written about.
'The Dovekeepers' is a fantastic novel written by Alice Hoffman; it was a bestselling novel, and I fell in love with the book and bought the rights to it.
I don't categorize myself as an 85-year-old woman who has written an erotic novel. I categorize myself as a writer who's written an erotic novel.
When I was writing my first novel, 'Elizabeth is Missing,' I was writing the only novel I had ever written and writing about the only protagonist I'd ever written about. Because of this, I didn't think of her as a construct. Maud was real.
The rules seem to be these: If you have written a successful novel, everyone invites you to write short stories. If you have written some good short stories, everyone wants you to write a novel. But nobody wants anything until you have already proved yourself by being published somewhere else.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike, based on laws of physics that you don't understand, in a new universe. So having written one novel does nothing for you when you have to write the second one.
Just about everybody has written a first novel that they throw away before writing their actual first novel.
By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.
Every once in awhile you find a novel so magical that there is no escaping its spell. The Night Circus is one of these rarities - engrossing, beautifully written and utterly enchanting. If you choose to read just one novel this year, this is it
A novel's whole pattern is rarely apparent at the outset of writing, or even at the end; that is when the writer finds out what a novel is about, and the job becomes one of understanding and deepening or sharpening what is already written. That is finding the theme.
If I have experienced something in my life, it's probably going to be written about, and I don't particularly care if the person I'm writing about wants to be written about.
I've always felt that life is a novel, and part of it is written for you, and part of it is written by you. It's up to you to write the ending, ultimately.
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