A Quote by Anne Fadiman

To use an electronics analogy, closing a book on a bookmark is like pressing the Stop button, whereas when you leave the book facedown, you've only pressed Pause.
Death is not complete annihilation. It is a pause. It is like pressing the pause button on a tape recorder.
I was a litigation lawyer, following the crowd off the proverbial cliff, when I pressed the pause button.
You will want a book which contains not man's thoughts, but God's - not a book that may amuse you, but a book that can save you - not even a book that can instruct you, but a book on which you can venture an eternity - not only a book which can give relief to your spirit, but redemption to your soul - a book which contains salvation, and conveys it to you, one which shall at once be the Saviour's book and the sinner's.
You want the book to be special, and they are not always going to be special, but at least you want that to be the ambition. So the only way that happens is if you are not pressing to write a book.
Even though I have so many things to figure out, I'm very much at peace. I don't feel like I'm closing the chapter on this phase of life - I feel like I'm closing the book and starting a new one.
'The Things They Carried' is labeled right inside the book as a work of fiction, but I did set out when I wrote the book to make it feel real... I use my own name, and I dedicated the book to characters in the book to give it the form of a war memoir.
One of the traps or the pitfalls of writing a trilogy - or a triptych, or whatever term you want to use - is that the second book can be a long second act to get you from book one to book three, which borrows all of its energy from the first book.
I always try to treat the book itself as the artwork. I don't want you to stop while you're reading one of my books and say, 'Oh! What a gorgeous illustration!' I want you to stop at the end of the book and say, 'This is a good book.
Here's a secret. Many novelists, if they are pressed and if they are being honest, will admit that the finished book is a rather rough translation of the book they'd intended to write.
If i write a book it will probably be a book about how not to use the internet or a book of poetry.
When I write a new draft, I don't like to feel I'm tied to any previous version. That's why I don't use a computer to write. The text looks, on the screen, too much like a book. It's not a book - it's a bad first draft of something that could one day be a book.
Life is like a book son. And every book has an end. No matter how much you like that book you will get to the last page and it will end. No book is complete without its end. And once you get there, only when you read the last words, will you see how good the book is.
I want to create a collection, almost like a trilogy of sorts. Whereas 'Milk and Honey' was very much like holding a mirror up to yourself, the second book is turning that mirror around and fixing it on the world. The book is a reflection of the times we are in.
I want the 'Book of Basketball' to do well if only so I can shop an absolutely ridiculous topic for my next book: like, a book about basketball cards, or an unauthorized biography of A. J. Daulerio.
The only way [the book can be written] is to set the unbook-the gilt-framed portrait of the book-right there on the altar and sacrifice it, truly sacrifice it. Only then may the book, the real live flawed finite book, slowly, sentence by carnal sentence, appear.
We have adopted the convenient theory that the Bible is a Book to be explained, whereas first and foremost it is a Book to be believed (and after that to be obeyed.)
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