A Quote by Anne Fadiman
I can think of few better ways to introduce a child to books than to let her stack them, upend them, rearrange them, and get her fingerprints all over them.
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Although my parents have never been the kind to hint around about grandchildren, I can think of no better tribute to them than giving them some.... I can't help thinking that the cycle is not complete until I can introduce them to a child of their child. And I can think of no better comfort when they are gone than to know that something of them lives on, not only in me but in my children.
Very few men can speak of Nature, for instance, with any truth. They overstep her modesty, somehow or other, and confer no favor.They do not speak a good word for her. Most cry better than they speak, and you can get more nature out of them by pinching than by addressing them. The surliness with which the woodchopper speaks of his woods, handling them as indifferently as his axe, is better than the mealy-mouthed enthusiasm of the lover of nature. Better that the primrose by the river's brim be a yellow primrose, and nothing more, than that it be something less.
That is the injustice of a woman's lot. A woman has to bring up her children; and that means to restrain them, to deny them things they want, to set them tasks, to punish them when they do wrong, to do all the unpleasant things. And then the father, who has nothing to do but pet them and spoil them, comes in when all her work is done and steals their affection from her.
He trailed off as he saw the books. Piles and stacks of them beside the sofa, another stack on the coffee table, a sea of them on her dining table. Jesus Christ, Dane, you need treatment.
She lay on her back and walked her fingers down her ribs, skipped them over her abdomen, and landed on her pelvic bones. She tapped them with her Knuckles. [. . .] I can hear my bones, she thought. Her fingers moved up from her pelvic bones to her waist. The elastic of her underpants barely touched the center of her abdomen. The bridge is almost finished, she thought. The elastic hung loosely around each thigh. More progress. She put her knees together and raised them in the air. No matter how tightly she pressed them together, her thighs did not touch.
It was not in her nature, however, to increase her vexations by dwelling on them. She was confident of having performed her duty, and to fret over unavoidable evils, or augment them by anxiety, was not part of her disposition.
My standards are higher than they used to be, I think. They don't necessarily have to make sense, but I certainly work on them a lot harder now -- partly because I do them on the computer, and I print them out and fix them, and print them and fix them over and over again, whereas in the early days I used to just scratch down a few things on a piece of paper.
One of my daughters wants to act, but none of them sing - well, one of them sings but she's got some ways to go. I love her acting. I'm actually trying to put her in some classes and everything so she can learn the art of acting. I don't want her to get no parts because her dad is Ginuwine. I want her to earn it.
I'm watching her talk. Watching her jaw move and collecting her words one by one as they spill from her lips. I don't deserve them. Her warm memories. I'd like to paint them over the bare plaster walls of my soul, but everything I paint seems to peel.
I never promise a woman anything nor let her know what I'm going to give her. That's the only way to manage them. Always keep them guessing. If you cant think of any other way to surprise them, give them a bust in the jaw.
I don't read good books anymore, it seems; I just buy them and put them on the shelf and every now and then walk over and pet them. I'm like the optimistic dieter who fills her closet with clothes two sizes too small and dreams of the day she can wear them. I know just what I want to do when I retire.
Oh," the girl said, shaking her head. "Don't be so simple. People adore monsters. They fill their songs and stories with them. They define themselves in relation to them. You know what a monster is, young shade? Power. Power and choice. Monsters make choices. Monsters shape the world. Monsters force us to become stronger, smarter, better. They sift the weak from the strong and provide a forge for the steeling of souls. Even as we curse monsters, we admire them. Seek to become them, in some ways." Her eyes became distant. "There are far, far worse things to be than a monster.
I remember, when I was a child and wrote poems in little clasped books, I used to kiss the books and put them away tenderly because I had been happy near them, and take them out by turns when I was going from home, to cheer them by the change of air and the pleasure of the new place. This, not for the sake of the verses written in them, and not for the sake of writing more verses in them, but from pure gratitude.
I know that the last thing a book wants is to just sit around unread, serving as an element of interior decorating. So when I have people over, all they have to do is glance at my books, and I implore them to take a few home with them. If I am really ambitious, I pack books into boxes and donate them to prisons.
The apartment was entirely, was only, for her: a wall of books, both read and unread, all of them dear to her not only in themselves, their tender spines, but in the moments or periods they evoked… Her self, then, was represented in her books; her times in her records; and the rest of the room she thought of as a pure, blank slate.
Books are the most wonderful friends in the world. When you meet them and pick them up, they are always ready to give you a few ideas. When you put them down, they never get mad; when you take them up again, they seem to enrich you all the more.
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