A Quote by Anne Fletcher
When you are reading something and you have people pop up in your head you are just sort of stuck with it.
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I don't feel like it's pressure. It's more of an obligation - not to entertain or be funny, but to have a certain levity. I mean, there's got to be a lightness in your leg. You have to be as light as you can be, and you don't have to be weighted down, stuck in your emotions and stuck in your body, stuck in your head. You just want to try and elevate something.
The stories tend to be what I work on when I'm stuck. Something will just pop into my head and I'll think that's more of a story.
It's so easy, as a writer, to get stuck in your own head, to live in the little worlds you create. To forget that there are people out there reading your work, people who may be deeply affected by what you do, that you are writing not just for yourself, but for them.
You have to be as light as you can be and not get weighed down and stuck in your emotion, stuck in your body, stuck in your head. You just want to always be trying to elevate somehow.
You can microwave a Pop Tart. That just blew me away that you could do that. How long does it take to toast a Pop Tart? A minute and a half if you want it dark? People don't have that kind of time? Listen, if you need to zap-fry your Pop Tarts before you head out the door, you might want to loosen up your schedule.
Every now and again, something will pop into my head when I'm driving or I'm in the shower, you'll just get an image and it stays with you. It doesn't have to be much, it doesn't have to be a story, it could just be an image. But it won't leave your head and that's when you know you've got something.
It pretty much defeats the purpose of bedtime reading if you fall asleep before the kids do. And you tend to wake up with a matchbox stuck on the end of your nose and/or a potty on your head.
There is something about the medium [in comics] that allows for a simulation of actual experience with the added benefit of actually reading. You're reading pictures, but you are also looking at them. It's a sort of combined activity that I can't really think of any other medium having, other than, say, a foreign film when you are reading and seeing. It allows for all sorts of associations that might not come up with just words or just pictures.
Give your thanks to the needle that stuck in your finger, to wooden beam that you hit your head, to bee that stung you on your hand, because they taught you something!
I had a mom and a pop who kept telling me that I was wonderful at a very early age. So when someone said to me, "Oh, you're stuck up. Who do you think you are?" I'd say, "I know who I am, and I don't mind being stuck up".
I think, when all bands start, when you're on your first album you have the benefit of hoovering up people who genuinely come across the music and really like it, but also those sort of 'floating voters' who just like pop music when they're young. And I think that when you get to your fourth album, those floating voters have dissipated and you're left with a core audience, and at that point you've really got to get your act together and move on to something else to keep afloat, or you'll just shrink with your core audience.
I think the way I sort of approach it is, you just sort of keep your head down and focus on what you are doing and making shows that people will want to see on Thursday night.
I think there's a lot more to pop than just sugarcoated indie pop. Maybe to me it's something that's accessible, catchy, something people can remember.
For 'The Anthem,' a lot of my fans were like 'Oh, man, he's getting lazy making just, like, a pop format tune that everyone's doing these days.' But on this album, I wanted to write songs with vocals that would get stuck in my head, not just movements of instrumentals.
I saw soda pop for $1.20 a six pack. That price messes with your head. You start thinking you're gonna sell soda pop. Suddenly I've got packs of pop with me. "Looking to buy some pop? 50 cents a can. It's not refrigerated because this is a half-assed commitment!"
For me, books are music for my mind and my imagination. When I am stuck in something I'm writing, I simply read my way out of being stuck. You can never waste time reading.
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