A Quote by Anne Fontaine

I don't necessarily agree with everything I read about my films, but I wouldn't highlight a specific misconception: If people think this or that about myself or my work, they must have their reasons.
The biggest misconception about me and my work is that I only make political films denouncing human-rights atrocities, even though all of my films are about people fighting for their rights and their quest for justice. My films aren't depressing, are very human, and always offer a way forward.
I love silence. And one of the paradoxes about the way I live and also about my work is that definitely one of the reasons I went into music, and especially into composing is that I love setting up an environment where I can be by myself for long periods of time and have everything as quiet as possible, either to think about sound, or to think about ideas, or just to focus on things that are important to me.
People don't understand that I have a great relationship with my parents - like, how that can exist. There isn't any judgment. They don't necessarily agree with everything I do, but I don't necessarily agree with everything they do.
The common misconception is that we create films for ourselves. And I really don't do it for myself. I get stopped in the street by people saying, "Do you mind if I say this about your work?" Do I mind? I'm delighted. I do it for you. It's not for me. It's my living, yes, sure.
People think, for some reason, that I don't care about creativity and art, or helping people. So I would say that the biggest misconception is, when you think about me, when you think about my name, I don't want you to think about design or clothes or music. I want you to think about a person that's just trying to help people.
What I remember myself from films, and what I love about films, is specific scenes and characters.
Most people think that intelligence is about brain, where really it's about focus. Genius is just attention to a subject until it becomes specific, specific, specific.
I went to drama school so I had quite a regimented classical training, regimented process of analyzing a script. I'll go through the whole script and highlight everything my character says about me, and in another color I'll highlight what other characters say about me, and I'll highlight all the things I say about other characters.
I think people have a misconception of me, period. My life has been a whirlwind sometimes, but it's different to what people think. I definitely feel like there's a misconception about me and who I am.
Read, read, read, read, read. Read everything. You can’t work unless you know the world, and outside of living in the world the best way to learn about the world is to read about it.
I think people who work and being alive and paying your bills and feeding your kids is hard. It's hard to have the space. Quite frankly, I'm in a privileged position to think about things, to read about things and to educate myself about things. A lot of people just don't have the time.
I never get to think about myself when I do films. I started in advertising, so I always have to think about what my client and my audience things. If a film doesn't work, it's a big failure.
Of course there are many films about the period of Fascism itself but I don't know of any about that period beforehand. But it wasn't that specific fact that they weren't there that got me to think about this in the first place. It's not what led to the basic idea for the film, although it became apparent when I began to think about it.
Most people think I do street art, so I do everything for nothing. I'm an urchin who paints walls and does work for nothing. That's the first misconception about street artists, that we just paint for nothing.
You're just trying to be yourself, and for me, playing soccer is being myself. One day, you're one person on a team. The next thing people are asking your opinion about things you're not an expert on. Because they recognize you, they think you must know something about something - which isn't necessarily the case.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
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