A Quote by Anne Fortier

In many ways, a degree in the history of ideas is the ideal training for an aspiring writer. — © Anne Fortier
In many ways, a degree in the history of ideas is the ideal training for an aspiring writer.
It's not easy making a living as a writer, and for many years I worked at a Waterstones in Dublin. It was a good environment for an aspiring writer, with lots of events and authors appearing.
I think when you are an aspiring writer, you must write every day. It's not as though anybody will call you up on the phone and say, "I understand you are a very promising, aspiring writer and I'm going to give you this assignment." You have to create it yourself or it's never going to happen.
Why is history important? Without history, many people have no idea how many of today's half-baked ideas have been tried, again and again - and have repeatedly led to disaster. Most of these ideas are not new. They are just being recycled with re-treaded rhetoric.
For me, an ideal novel is a dialogue between writer and reader, both a collaborative experience and an intimate exchange of emotions and ideas. The reader just might be the most powerful tool in a writer's arsenal.
One of my top tips for aspiring entrepreneurs: Tell everyone you know about your idea. This runs contrary to the instinct that most people have, because they're afraid someone is going to 'steal my ideal.' Ideas alone are worth very little; it's in the execution and market feedback that companies are made.
Some people talk of writer's block - you got all of these ideas but nothing happens. The truth is, there's no such thing as writer's block. It's to the degree that you want to write. The thing is that these things show up whenever they feel like it.
Tolkien was such a brilliant writer in so many ways. He was truly an inspiration. Many people don't realize just how much he researched and how much he based his stories and characters on mythology of various types. He was very deep and in many ways a genius.
As a community organizer who holds a degree in history, I understand the fascination with history. However, there is a tendency for many of us to get engrossed in the recounting of our history, which often amounts to purely intellectual activity without material action.
I'm an aspiring writer. I hate that phrase. You're either a writer or you're not.
When I read students’ attempts at creative writing it is obvious immediately that most of them have not read much or widely. The aspiring writer must read everything he or she can to appreciate the myriad ways words are used and to what effect.
There is no such thing as an "aspiring writer". You are a writer. Period.
Despite our founding principles and the many ways our constitution has protected individual liberties, we do, let's admit it, have a long history of shutting people out--african americans, women, gays and lesbians, people with disabilities--and throughout our history, we have found too many ways to divide and exclude people from their ownership of the law and protection under the law.
There is no one kind of thing that we 'perceive' but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen--and so on.
The genuine history of mankind is the history of ideas. It is ideas that distinguish man from all other beings. Ideas engender social institutions, political changes, technologi- cal methods of production, and all that is called economic conditions.
The journalism, I was a financial journalist - it's very good training as a writer. You have to write for deadlines; you have a certain economy of phrasing. As a training ground as a writer, it's fantastic. I also think it teaches you to be observant, to listen to people, and gives you an ear of dialogue from doing interviews.
I see myself much more as a writer/director or at least an aspiring writer/director - not necessarily in film.
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