A Quote by Anne Frank

This is a photograph of me as I wish I looked all the time. Then I might have a chance of getting in Hollywood. — © Anne Frank
This is a photograph of me as I wish I looked all the time. Then I might have a chance of getting in Hollywood.
I wish... I wish he wasn't quite so ashamed of me. And if he could stop feeling so ashamed of himself, then maybe we might stand a chance.
This is a photo as I would wish myself to look all the time. Then I would maybe have a chance to come to Hollywood.
I was invited to photograph Hollywood. They asked me what I would like to photograph. I said, Ugly men.
I think for Wes [Anderson] and me, the most important thing was James L. Brooks producing our first movie and giving us a chance to come to Hollywood, because without him, we might never have gotten the chance.
Like all photographers, I depend on serendipity, and when you're photographing children there's often an abundance of it. I would have an idea of what a photograph would look like and then something would happen - a dog might lumber in and become a critical element. I pray for what might be referred to as the angel of chance.
Part of the mystery of any given photograph is the fact that it was taken at a certain time and in a certain place and time keeps moving on. A photograph might be a moment in time preserved, but the world continues to change around it.
Now he looked at the classic parked on the street and admitted, “I bought it soon after we met. I… had hoped someday I might have this chance.” I pointed to the Galaxie. “You can’t possibly have felt like that for me then!” He turned to gaze into my eyes, laying his chin on my shoulder as he said softly, “I have loved you with everything in me from the moment I saw you.
Then there was the time in Hollywood when I sat down in a breakaway chair and it collapsed on me. I was nearly knocked out and might have been even more seriously hurt but my fall was broken by the smog.
Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
I love the '60s and sort of wish all design had stopped in 1967. That would be my dream. They were really just nailing it - everyone looked great - but then it started getting a bit slippery after that.
The other day at a drive-through, I reminded the teenage girl serving me that she forgot my drinks. She looked at me, hissed, rolled her eyes, and then took her sweet time getting me the sodas.
If one might wish for impossibilities, I might then wish that my children might be well versed in physical science, but in due subordination to the fulness and freshness of their knowledge on moral subjects. ... Rather than have it the principal thing in my son's mind, I would gladly have him think that the sun went round the earth, and that the stars were so many spangles set in the bright blue firmament.
... by then I was getting a little work, doing some playing and getting paid for it, not very much, but enough for me to feel justified in buying a real instrument. I bought a Gretsch with a De-Armond pickup on it and a second-hand Gibson amplifier; it looked like the one Charlie Christian used. I guess it was the same, although there were several models coming out at that time - this would be in I939.
I had to figure out how to survive in New York, and most of my time was occupied in getting an apartment and getting money. A lot of older jazz guys looked out for me and found me gigs and places to stay.
When I travel, it makes me wish I looked completely polished all the time. I don't. I live in sweats.
You must avoid giving hostages to fortune, like getting an expensive wife, an expensive house, and a style of living that never lets you aford the time to take the chance to write what you wish.
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