A Quote by Anne Grant
Just as the body goes into shock after a physical trauma, so does the human psyche go into shock after the impact of a major loss.
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Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It's impossible trying to act it; it just happens. It's a very important question: no acting.
The shock of any trauma, I think changes your life. It's more acute in the beginning and after a little time you settle back to what you were. However it leaves an indelible mark on your psyche.
It isn't enough to shock. It's easy to shock. Real surprise is what I'm after.
If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.
Dying is like diving into a deep lake on a hot day. There's the shock of that sharp, cold change, the pain of it for a second, and then accepting is a swim in reality. But after so many times, even the shock wears off.
I think that the cinema is a physical thing. What I'm looking for is creating a physical shock with the audience. I don't care of the meaning. I don't care of the idea. I don't want to say something. I want to make a 'shock physique.'
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
A ghost is a human being who has passed out of the physical body, usually in a traumatic state and is not aware usually of his true condition. We are all spirits encased in a physical body. At the time of passing, our spirit body continues into the next dimension. A ghost, on the other hand, due to trauma, is stuck in our physical world and needs to be released to go on.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
Sometimes the newly Marked go into shock. The good news is, if this happens to you, you are unlikely to notice, because you will be in shock.
When the emotional soul receives a wounding shock, the soul seems to recover as the body recovers. But this is only in appearance. Slowly, slowly the wound to the soul begins to make itself felt, like a bruise, which only slowly deepens its terrible ache, till it fills all the psyche. And when we think we have recovered and forgotten, it is then that the terrible after-effects have to be encountered at their worst.
Any natural, normal human being, when faced with any kind of loss, will go from shock all the way through acceptance.
What I've learned is that people have a desire to talk after the first line of reporters go away, and they are no longer speaking out of shock.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
Six months after 9/11, Jean-Marie Le Pen was almost elected president of France. There were a number of leaders and a number of parties running in the French national elections that year in the spring of 2002. But it ended up being not just a shock across France, and not just a shock across Europe. But it ended up being almost a worldwide shock when in the spring of 2002, Jean-Marie Le Pen came in second in those national elections. That put him in a two-man runoff for the presidency of France, spring of 2002.
After making 'Secretary,' it was a real shock to me to learn that some directors just aren't interested in what actors have to say. They just don't want to collaborate.
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