A Quote by Anne Hathaway

I remember when I was starting out as a young actress, thinking, 'Oh my God, I have the fattest face.' Now I look at those pictures and I think, 'So much collagen!' — © Anne Hathaway
I remember when I was starting out as a young actress, thinking, 'Oh my God, I have the fattest face.' Now I look at those pictures and I think, 'So much collagen!'
For a long time, people assumed I was gay, so when I got married the press were all a bit shocked and made a big deal of it - and ditto when I had children. I felt very much under the microscope with paps outside the house taking pictures of me getting the baby out of the car, it was excruciating. I remember getting her out of the car seat and thinking 'oh God I'm going to drop her and they're going to take a picture'. I was so nervous. Those sorts of things are really hard.
I think I look nicer now. It's really weird cause when you're 21 you think, "Oh God, when I'm 36, oh God, that's nearly 40, and I'll look really old and wrinkly by then". And actually I quite like the way I look. I feel OK about myself these days.
I don't understand all these breasts right now, and they don't look like breasts. They look like someone's taken a grapefruit half and inserted it under your skin. I mean it's - it doesn't even bear any resemblance to what a natural breast looks like. But we're starting to think that this is what women should like. And young girls are looking at these breasts and thinking, oh, I need to go have my breasts done because they've lost touch with what a real breast actually looks like. I find it fascinating, I find it disturbing.
I've seen pictures of myself with makeup on, and I look like those women who look like they're wearing makeup so they can look young, and I don't think that's good. They have all these products now called - wait, what's it called, it's my favorite - youth suppressant, or age go away; they don't work.
I don't look at 'Deadpool' and think, 'Oh, that's a perfect movie.' I look at it and go, 'Oh, God, there's so much stuff I could do better.'
When you hit your 40s, you're walking around, and you realize, 'Oh, my God, men don't look at me anymore.' Or sometimes you can feel really good, and then you look in the mirror, and you're like, 'Oh, Jesus, that's my face now!' But I have tell you that something happened and shifted inside of me.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
Oh my God, so many young girls now look like whores!
Think of me, think of me fondly When we've said goodbye. Remember me once in a while Please promise me, you'll try. Recall those days, look back on all those times, Think of those things we'll never do. There will never be a day When I won't think of you. Can it be? Can it be Christine? Long ago, it seems so long ago, How young and innocent we were. She may not remember me But I remember her.
I met with Hitchcock when I was a very, very young actress just starting out and he was making 'Frenzy' in London and I was sent along to meet with him. He was very, very unimpressed with me and I have to say, I was rather unimpressed with him - but only because I was an arrogant, ignorant young actress.
I remember that Michael Werner told me about a famous collector, and Michael set up an appointment for us to meet. This man looked around the room and at my pictures. Then he said, "Young man, why are you doing these horrible things? Look out the window. There are nice girls out there. It's springtime. Look at how beautiful the world can be. You'll ruin your health by smoking so much and doing such tortured things."
Do you have doubts about life? Are you unsure if it's worth the trouble? Look at the sky: that is for you. Look at each person's face as you pass on the street: those faces are for you. And the street itself, and the ground under the street and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face the east. Now praise the sky and praise the light within each person under the sky. It's okay to be unsure. But praise, praise, praise.
If you look at pop culture as the main picture you see of black men, all these kind of threatening pictures and - I think those of us who are artists and who are in media have to think carefully about what those pictures are.
Watching your children growing up makes you aware of time passing. You think, 'Oh, God, look at them now! He won't be like this for much longer.'
When I see a young person on a reality show, I don't think, "Oh my God. They could be better." I think, "Oh my God. They are really good for 17. They're going to learn so much!" If they're this good at 17, imagine what they're going to be like at 20.
I can remember a lot of nights performing in those early years where you felt that you hit some good moments, but a lot of the time you're thinking, "Oh, God, this isn't quite making it." So I think that is what makes you in the end refine your view of things a little bit.
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