A Quote by Anne Hathaway

When Chris Nolan is your director you are like, "I trust that, I'm wrong." — © Anne Hathaway
When Chris Nolan is your director you are like, "I trust that, I'm wrong."
I used to run with Chris Nolan before he was 'Chris Nolan.' I remember when he was trying to sell 'Memento,' and he just couldn't.
Each director is different. Clint Eastwood and Chris Nolan are completely different, and I need to adjust to the story and character and the director and just my duty as an actor.
I think that I'm a pretty great producer, but the vision behind Batman is Chris Nolan. I'm there to do my best to help execute that vision, and I think I do a really good job, but the vision is Chris Nolan.
Just watching Chris Nolan direct was amazing. He is one of the most lovely people, which as you know doesn't always go hand-in-hand with great directors. But with Christopher Nolan, and there's only a few I think like him in Hollywood, that's absolutely true.
People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.
When you trust the director you want to trust his or her choices. I don't want to say, 'No, I don't like this girl or that guy," when the director really loves them. No, you want to go with what the director likes.
In creating music you are the writer, the director, the producer, you create it from scratch. Obviously in playing a role in a film, you take guidance and put your trust into the director. You come into it and you really trust people.
When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.
I really hope that I get to work with Chris [Nolan] some day.
Any time Chris Nolan wants to call me for advice, he can.
You've got to have confidence and trust in your cast. You have to have confidence and trust in your director, in your editor. It's such a team effort; I really think you have to pull yourself out of it and just trust. I think the number one thing you can do is just trust everyone around you.
I would have played street cop number three if it meant getting to work with Chris Nolan.
A strong film director does leave you to your devices. A strong director allows you to be free and you trust that he's there and he will tell you if you've gone too far. A strong director allows you to be much more experimental and take greater chances than a director who isn't secure within himself.
I was a screenwriting major at Georgetown, and I was in class with some really strong writers like Jonathan Nolan, who co-wrote 'The Dark Knight' with Chris, his brother. He wrote 'The Prestige,' the story for 'Memento.'
And I think that if something doesn't make sense, forcing yourself to understand it from [Chris Nolan's] perspective makes you better.
If we can get that realistic feminine morality working for us, if we can trust ourselves and so let women think and feel that an unwanted child or an oversize family is wrong -- not ethically wrong, not against the rules, but morally wrong, all wrong, wrong like a thalidomide birth, wrong like taking a wrong step that will break your neck -- if we can get feminine and human morality out from under the yoke of a dead ethic, then maybe we'll begin to get somewhere on the road that leads to survival.
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