A Quote by Anne Hathaway

I'm not one of those stars that goes out and literally dresses to be photographed. — © Anne Hathaway
I'm not one of those stars that goes out and literally dresses to be photographed.
I'm not one of those stars that goes out and literally dresses to be photographed. I'm kind of a 'what you see is what you get' type of girl when I dress. I go for comfort above everything else.
You know, also I, you know, I was on those birth control pills and my breasts were like, they hurt... and, you know, it was like they blew up like. You know, they wouldn't fit into any of my dresses. I had to quit taking those birth control pills... This was like - I mean they were like, I thought they should be photographed really... So they were, for immortality. (On being photographed nude playing chess with Marcel Duchamp at Duchamp's 1963 retrospective at the Pasadena Museum of Art.)
There are 400 billion stars out there, just in our galaxy alone. If just one out of a million of those had planets, and just one in a million of those had life, and just one out of a million of those had intelligent life, there would be literally millions of civilizations out there.
When I was photographed, I didn't feel I was acting. I just felt I was being photographed. It sort of taught me things about myself that I didn't know and was trying to find out.
People have stars, but they aren't the same. For travelers, the stars are guides. For other people, they're nothing but tiny lights. And for still others, for scholars, they're problems... But all those stars are silent stars. You, though, you'll have stars like nobody else... since I'll be laughing on one of them, for you it'll be as if all the stars are laughing. You'll have stars that can laugh!... and it'll be as if I had given you, instead of stars, a lot of tiny bells that know how to laugh.
We literally are all made out of stardust. We started from those stars; we are made of stardust. So, next time you are really depressed, look in the mirror and you can look and say, hi, I'm looking at a star here.
You know how people love to glamorize poverty? There's nothing glamorous about it. But it did make me really creative. Those days, I was literally taking t-shirts in the day and sewing them back together to make dresses for the night.
When you are 18, 19, 20, you're used to being photographed all the time, in a certain way. So, the narcissism becomes almost out of control. And the way that young women are photographed, they become addicted to this feedback of the image.
All was taken away from you: white dresses, wings, even existence. Yet I believe you, messengers. There, where the world is turned inside out, a heavy fabric embroidered with stars and beasts, you stroll, inspecting the trustworthy seams.
I remember lying out in my bed and looking at the vast, quiet sky. Right up above my head, there were three stars in a row, and I remember thinking, 'Well, I'll have those three stars all my life, and wherever I am, they will be. They are my stars, and they belong to me.'
Those shining stars, he liked to point out, were one of the special treats for people like us who lived out in the wilderness. Rich city folks, he'd say, lived in fancy apartments, but their air was so polluted they couldn't even see the stars. We'd have to be out of our minds to want to trade places with any of them.
Sometimes, when you roll out of bed, you don't want to be photographed by the paparazzi. Usually you like to know when you're being photographed. I've learnt that, as a public figure, you have to up your game and be prepared. Ideally, you try not to roll out of bed without brushing your hair - just chuck a brush through it, make a little effort.
so my grandmother was not without humanity. and if she wore cocktail dresses when she labored in the garden, they were cocktail dresses she no longer intended to wear to cocktail parties. even in her rose garden she did not want to appear underdressed. if the dresses got too dirty from gardening, she threw them out. when my mother suggested to her that she might have them cleaned, my grandmother said, "what? and have those people at the cleaners what i was doing in a dress to make it that dirty?" from my grandmother i learned that logic is relative.
It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.
When I go onstage, I don't know what I'm going to say. I don't know what's going to come out of my mouth. It's one of those questions where any and everything is possible. I literally could be talking about somebody I was hanging out with two seconds ago or something from the news. Literally, there's really no rhyme or reason for it. I want to be free flowing like that.
People don't know what goes on in my private life, so they have to make conjecture from something that is photographed.
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