A Quote by Anne Hegerty

I was struggling, I was hungry, I was a freelance copy editor but had very little work. — © Anne Hegerty
I was struggling, I was hungry, I was a freelance copy editor but had very little work.
From 1961 to 1964, I was fortunate enough to work at a think tank in the Kenwood neighborhood of Chicago. As a writer and editor, I reported in a publication about the thinkers. Our offices were in a former mansion; I worked in what had been the ballroom. As I sat typing my copy, I imagined the dancers waltzing.
It is hard work to be good when you are very little and very hungry, and have many sticks to beat you, and no mother's lips to kiss you.
I'm doing a little freelance work, and I think everybody's trying to take their minds off rock and roll for a little while and get some perspective.
I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper.
I had never thought of advertising as a life work, though I had on the side, written some very successful copy.
Start copying what you love. Copy copy copy copy. At the end of the copy you will find your self.
I had very much wanted to be the very first black female editor-in-chief of 'Vogue.' Barring that, I wanted to work at 'Entertainment Weekly.'
Copy is not written. If anyone tells you ‘you write copy’, sneer at them. Copy is not written. Copy is assembled. You do not write copy, you assemble it. You are working with a series of building blocks, you are putting the building blocks together, and then you are putting them in certain structures, you are building a little city of desire for your person to come and live in.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
Alexander Liberman was very smart, very elegant. At the end, he didn't have much patience with me because I was a young, anxious, nervous photographer. I worried that I was copying too many other people. And he said, "It's all right to copy people, as long as the people you copy are good and you copy them well."
If you've ever been hungry then you'll never be full and I know what it's like to be hungry. When I was 13, I realized I could control my destiny through hard work. I had my hands and I was going to work my ass off, I was going to initiate and create some sort of change in my life.
Anyone who edits their own copy has a fool for an editor.
We are lost, lost,' said Gollum. 'No name, no business, no Precious, nothing. Only empty. Only hungry; yes, we are hungry. A few little fishes, nasty bony little fishes, for a poor creature, and they say death. So wise they are; so just, so very just
You get work however you get work. People keep working, in a freelance world, and more and more of today's world is freelance, because their work is good, and because they are easy to get along with, and because they deliver the work on time. And you don't even need all three. Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. They'll forgive the lateness of the work if it's good, and if they like you. And you don't have to be as good as the others if you're on time and it's always a pleasure to hear from you.
There is a phase in the life of every copy editor when she is obsessed with hyphens.
It was only after I had been out of the art school that I actually copied a small Seurat, and I copied it in order to follow his thought, because if you do copy an artist, and you have a close feeling for him, in fact that you need to know more about his work, there is no better way than actually to copy, because you get very close indeed to how somebody thinks.
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