Well, that's baseball. Rags to riches one day and riches to rags the next. But I've been in it 36 years and I'm used to it.
For the first fourteen years for a rod they do while for the next as a pearl in the world they do shine. For the next trim beauty beginneth to swerve. For the next matrons or drudges they serve. For the next doth crave a staff for a stay. For the next a bier to fetch them away.
We just have to go to that next class, read that next chapter, help that next person. You simply have to do that next good thing, and before you know it, you're living a good life.
You're always in the mode of creating the next season. It's so fast, and in two months, the collection you just did is already old, and it's always next, next, next.
To try to create a character without a whole lot of information can be taxing. At the same time, it's fun to just stay on your toes and let the next bit of dialogue come in, and turn the page as you read the next script and see what they have in store for you next.
We live in the Age of the Next New Thing; we're assaulted day and night by tastemakers telling us what the next hit will be, the next style, the next cool.
You can't just keep recycling revivals. And you can't keep betting on the efforts of guys like me who've been around. You have to take the next step and bet on the next generation.
Losing doesn't eat at me the way it used to. I just get ready for the next play, the next game, the next season.
You never know: the next DJ Snake, the next Skrillex, the next big DJs might wait outside of the club. You gotta give back and listen to the next generation and show some love.
Life is nothing but rags and tags and filthy rags at that.
I'm rebelling against being handed a career, like, 'You're the next this; you're the next that.' I'm not the next anything, I'm the first me. I can't be myself, I can't just be Idris Elba. But that's just the nature of the business.
All your clear and pleasing sentences will fall apart if you don't keep remembering that writing is linear and sequential, that logic is the glue that holds it together, that tension must be maintained from one sentence to the next and from one paragraph to the next and from one section to the next, and that narrative - good old-fashioned storytelling - is what should pull your readers along without their noticing the tug.
Walgreens, Rite Aid, CVS and Wal-Mart have all figured out the evolution of life and they grabbed all the products that are necessary for a life. And they stuck them in one aisle and they put them in order according to how you mess up... First thing you're going to see: condoms. Next to that: lubricant. Next to that: pregnancy test. Next to that: Pampers. Next to that: formula. And at the end of the aisle they sell beer.
When you make a film for a million and a half dollars and it opens at 20 million, the next question out of everyone's mouth is, 'When's the next one, when's the next one, when's the next one?'
There are a lot of actors who wish there was a next play, a next musical. As an actor, I guess that's all I can wish for - the next role, the next opportunity.
We're trained to see the world in terms of charismatic organizations and charismatic people. That's who we look to for leadership and change, for transformation. We're awaiting the next J.F.K., the next Martin Luther King, the next Gandhi, the next Nelson Mandela.