A Quote by Anne Lamott

Let’s think of reverence as awe, as presence in and openness to the world…Try walking around with a child who’s going, ‘Wow, wow! Look at that dirty dog! Look at that burned-down house! Look at that red sky!’ And the child points, and you look, and you see, and you start going, ‘Wow! Look at that huge crazy hedge! Look at that teeny little baby! Look at the scary dark cloud!’ I think this is how we are supposed to be in the world – present and in awe.
I remember when the first police scary video thing came out, and you thought, wow, ooh, look at this, come and look, come and look. And now it's on every channel.
I've gotten a lot of comments about how I look and I can't help but think, Is anyone listening to what I'm saying? If I were a guy, no one would be saying, 'Wow, look at those pants' or 'Look at those legs.'
I don't know how often white people look around and think, 'Wow, there's really a lot of white people here; we should fix that.' But I know black people often look around and think, 'Wow, I'm the only one here - why?'
Do not look for signs. Do not look for experiences. Do not be so complicated. Become like a child. See everything with awe.
By the time I got to set for 'Cobra,' I think I'd lost about 28 pounds in about a month and a half. I didn't want to look back and be like, 'Wow, someone should stop eating PB and J's.' Like, if I'm going to look back when I'm 80, I wanted to be like, 'Wow, okay, I looked pretty fit. I used my youth right.'
Look in, look the storm in the eye. Look out, to the sea and the sky. Look around, at the sight and sound. Look in, look out, look around.
Look. This is your world! You can't not look. There is no other world. This is your world; it is your feast. You inherited this; you inherited these eyeballs; you inherited this world of color. Look at the greatness of the whole thing. Look! Don't hesitate - look! Open your eyes. Don't blink, and look, look - look further.
I look at it [Scream movie] and think, wow, I can't believe I wrote that at such a young age. I also look at it and go, ohhh ouch, that dialogue, whoa.
I'll look through 'Us Weekly' and I'll see a picture of Brad Pitt and Jennifer Anniston. And I'm like, 'Wow, they just... they look so good. Even if they're like just wearing jeans and a t-shirt, they still look great.'
You look at Iran, you look at North Korea, you look at terrorists, we don't even know where to look. We don't know where to look. But believe me, you can look all over, so we are going to do that. We need a form of shield. We want to protect our country.
My method of helping someone is saying, 'Wow, you look amazing. Let me help you look even better.' I think tearing someone down is an awful thing to do. It has a lasting impression on people.
There's no need to put a dumb picture of us on the album cover. We always look at ourselves and think, 'Wow, we look like idiots.' We'd rather have a piece of art on there.
Look at what's happening, how Iran is taunting us. Look at what's going on, look at the world.
Here is this ability to explore ideas, but with minute changes, and then look at the results. Often you get so excited about what you're doing that you think, "Oh, wow, this is just great." And you look at it a week later and you realize you'd been excited by the act of creation, but what you've created is not really exciting when you look at it in cold blood. And so that, to me, is a valuable lesson also.
If you don't look like an airbrushed model ... you have to look past it. You look how you look. What are you going to do?
It isn't easy for me to have contact with the industry, because it is so outdated. Look at General Motors, look at -Mercedes, look at Chrysler, look at Porsche, look at BMW . . . They are all building cars from yesterday! Nobody has an idea how the car of tomorrow should look. I've built them already. I have the prototypes in my exhibition, but they won't do it.
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