A Quote by Anne Lamott
I am drawn to people that are not going to shy away from the very dark, scary stuff of the human condition and in a lot of cases people need alcohol or drugs to create poetry and poetic pose that can take you so far out there where you are still able to recognize yourself and then to bring you back home where you're not the same person you were when you left.
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I get a lot of people complaining about my ambiguity, often in cases which there is nothing ambigous at all. As far as I can see, people read it when they were half stoned and listening to the TV. Then they come back and say gee, it's impossible to figure out what's going on in a story.
I did a lot of work with early 20th century attitudes, the kind of superficial notions and behavior that prompt people who don't know history very well to think that "people were different back then" - but beneath all that are characters who react in ways that we can all recognize, and will always be able to recognize.
The ones I love most are the people who the flaws show. I like doing characters that we see the total person. If people get afraid to show the flaws because they think, "Oh, then nobody will like them," then you end up with a lot of products, and everybody wants to be frigging heroic all the time - not what people are trapped in every day, like your skirt being in your panties after you walk out of the bathroom. Being human. Sometimes when people are drawn to your work, they're drawn because they recognize themselves or their loved ones or their neighbor in it.
I tell my kids no drugs, no alcohol, no cigarettes. But the world is so competitive that if you're stuck on drugs or alcohol, you're not going to be able to compete. It's going to be a disaster. And you know, it potentially can ruin your life.
You also get so wound up playing a show that a lot of people need something to bring them down. People who don't know how to handle the situation take drugs. I didn't. I went back to my room with milk and cookies.
I'm not saying you need to take a break because you're crazy. I'm saying you need to take a break so you can be crazy, and people aren't going to judge you. You're going to do dumb stuff from here on out. But do it in your own time. Do it safely. You can afford to protect yourself and still have fun.
A lot of the vibe in London is being sucked dry because of the economic situation. It's very expensive, and it gives you nothing back. New York still feels like there's stuff going on. People are struggling to create art. There's still a vibe.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
Many nightclubs from this era were very loud and very dark. Plus some of the best ones were incredibly crowded. To begin with, I could seldom get back far enough to get people into frame from head to foot and when I could, people would be constantly walking in front of me all the time. Then I bought a 24-mm lens and only had to be four or five feet away.
I almost tell him that I'd never be able to do something like that, just take out my instrument and begin playing on a street corner. But it feels to personal. Yes, I'm shy, but why bring it to his attention? I'm too shy to talk about how shy I am.
I really do pride myself on being able to help other people tell their stories and bring out the best in them. But I still, every song I'm writing, I still need to relate to it. I still need to find my true self in it, or else it'll feel dishonest. I mean, everything has a queer meaning as far as I'm concerned.
Crime is based upon need, making money. People sell drugs to make money. But if everybody is cared for, they don't sell drugs and if there's no money you can't sell drugs even if you wanted to. There'd be no such thing as gambling, prostitution, or selling out, or paying off a senator or a governor. There are no senators, there are no governors so you can't pay them off. If you take away the basis or the condition that generate abhorrent behavior, you don't have abhorrent behavior.
I'm convinced that sending people to Mars is so expensive that if you go once and bring the people back and then go again and bring the people back, we're eventually going to run out of money. But what if we send people the first time and they don't come back? What if they stay there?
I think it's just recognizing that who you are is not any of the stuff that you have. It's not any of the things of the ego. Coming to that awareness is a very hard thing for most people to do - but that's an excuse. If you tell yourself it's too hard, then you won't take it on. But right now, for most people, it's almost an impossibility to do so, because they're so attached to "I am what I have"; "I am what I do"; "I am what my reputation is"; or "I am all of this material stuff."
I think some people need the assurance of people around them and ideas worked out in advance. I think it keeps me an edge that to be creative on the spot. You have to think of things to do when you meet people. You limit your choices from the beginning. So I don't bring a lot of lenses, cameras, all these elements that can help the picture to a shooting. You confine yourself to, say, one room and you just make it work. You become very creative in that little space. You have left a lot of other options out of the game.
When I was in graduate school, I became very interested in why some kids took on challenges and were able to bounce back from setbacks whereas others shy away from difficulty and really crumble when they hit failures. I became fascinated with people who had that kind of courage to take on challenges.
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