A Quote by Anne Lamott
The last song was so deep and raw and pure that I could not escape. It was as if the people were singing in between the notes, weeping and joyful at the same time, and I felt like their voices or something was rocking me in its bosom, holding me like a scared kid, and I opened up to that feeling-and it washed over me.
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I'm a guy where my perfect pitch has been altered by the fact that I usually tune up to what's going on. When I was a kid, it was horrible! If two notes were playing right next to each other, and they were dissonant, it would drive me nuts. If it was something that sounded like it was in between notes, it'd make me cringe.
Over the years, music put a weapon in my hand and words in my mouth it backed me up and shielded me, it shook me and scared me and showed me the way; music opened me up to living and being and feeling.
Over the years, music put a weapon in my hand and words in my mouth, it backed me up and shielded me, it shook me and scared me and showed me the way; music opened me up to living and being and feeling.
I liked you the first time I saw you. You were sitting on the floor surrounded by books, and you looked up when I opened the door and smiled right at me. It felt like you had been waiting for me, like you were welcoming me home.
It felt as if we'd been to war together. Deep in a jungle, alone, I had relied on them, these strangers. They'd held me up in ways only people could. When it was over, an ending never felt like an ending, only an exhausted draw, we went our separate ways. Be we were bonded forever by the history of it, the simple fact they'd seen the raw side of me and me of them, a side no one, not even closest friends or family had ever seen before, or probably ever would.
For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that's because my parents always treated me as an adult.
For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that’s because my parents always treated me as an adult.
We can use music as a tool to overcome things. It was a beautiful age and realization for me, an awakening. I felt like my eyes were opened. It was like, you mean to tell me that I have the opportunity when I'm bottling stuff up, wanting to smash windows and breaking down walls, I can put that energy into a song and wake up the next day with that weight lifted?
I was a lonely, frightened little fat kid who felt there was something deeply wrong with me because I didn't feel like I was the gender I'd been assigned. I felt there was something wrong with me, something sick and twisted inside me, something very very bad about me. And everything I read backed that up.
When "Here Comes the Sun" started, what happened? No, the sun didn't come out, but Mom opened up like the sun breaking through the clouds. You know how in the first few notes of that song, there's something about George's guitar that's just so hopeful? It was like when Mom sang, she was full of hope, too. She even got the irregular clapping right during the guitar solo. When the song was over, she paused. "Oh Bee," she said. "This song reminds me of you." She had tears in her eyes.
Deep breaths. I am taking deep breaths. Composure. Which, for me, means composing... Maybe this is my way of creating the illusion of control over something I have no control over. Like, if it's just a story I'm telling or a song I'm singing, then I'll be okay because I'm the guy who's providing the words.
I could feel myself changing physically. It was like something dropped out of the sky. Seeing her on the fire escape had given me a certain feeling, and then when I saw the photograph of her, it gave me a similar feeling. And I thought that was an incredibly powerful thing - that a photograph could give you a feeling that was similar to a feeling you had in the physical world. Nobody could've told me that. I knew what I was going to do for the rest of my life.
I remember being a 12 year old art kid and feeling like there was no exciting art movement happening, especially for somebody like me. I was looking around for artistic inspiration and could find nothing — until my older brother’s friend brought a Giger book over to the house. Upon seeing the first image I knew I would never be the same. A whole new world opened up to me and I have been exploring it ever since. It’s no doubt that I would not be here today, doing what I do, without his influence. H.R. Giger is the king of the Dark Art movement.
I didn't know what to think, but what I felt was magnetic and so big it ached like the moon had entered my chest and filled it up. The only think I could compare it to was the feeling I got one time when I walked from the peach stand and saw the sun spreading across the late afternoon, setting the top of the orchard on fire while darkness collected underneath. Silence had hovered over my head, beauty multiplying in the air, the trees so transparent I felt like I could see through to something pure inside them. My chest ached then, too, this very same way.
Every day I wake up like, "This might be my last day, and I'm not scared of it. I'm gonna go out there, do what I gotta do; I ain't gonna let nothing stop me." Nothing puts any fear in my heart. I'm never scared to bite my tongue about something, or never be scared to come out and speak about something - that's what I mean. Like, I ain't scared of death. What you gonna do to me?
For someone like me, who as a kid could not have two people in front of me without wanting to hide, to end up on stage with a lot of people in front of me, feeling good, it has to be a strange and special place.
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