A Quote by Anne Lamott

Reading poetry and reading the great works of the canon that we were reading in the '60s and the '70s and '80s was mind altering. — © Anne Lamott
Reading poetry and reading the great works of the canon that we were reading in the '60s and the '70s and '80s was mind altering.
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
I like reading. I prefer not reading on my computer, because that makes whatever I am reading feel like work. I do not mind reading on my iPad.
I love poetry; it's my primary literary interest, and I suppose the kind of reading you do when you are reading poems - close reading - can carry over into how you read other things.
I'm not a big crime reader, but I'm reading Michael Connelly's 'The Reversal.' I'm going back to his novels. I'm also reading Keith Richards' 'Life.' I'm always fascinated by the transition from the innocent late '60s and early '70s and the youth culture becoming an industry.
Reading aloud is the best advertisement because it works. It allows a child to sample the delights of reading and conditions him to believe that reading is a pleasureful experience, not a painful or boring one.
Reading for experience is the only reading that justifies excitement. Reading for facts is necessary bu the less said about it in public the better. Reading for distraction is like taking medicine. We do it, but it is nothing to be proud of. But reading for experience is transforming.
I think it's a great thing to hear the author reading. I've listened to CDs of Cheever and Updike reading their stories and Hemingway. To hear what their voices were like is amazing. Whether they're reading well or not, it's great to listen to the intonation and the beat of the guy who wrote the story.
Reading usually precedes writing. And the impulse to write is almost always fired by reading. Reading, the love of reading, is what makes you dream of becoming a writer.
The great thing about reading for Quentin [Tarantino] is you're not reading for him, he's reading with you. So he sits right next to you.
When you read something, and especially when you're reading compellingly great, that becomes part of your identity, at least while you're reading it. You become changed by reading it.
All reading is good reading. And all reading of Jane Austen and Charles Dickens is sublime reading.
I do believe that one's writing life needs to be kept separate from Po-Biz. Personally, I deal with this by not attending too many poetry readings, primarily reading dead poets or poems in translation, reading Poets & Writers only once for grant/contest information before I quickly dispose of it, and not reading Poetry Daily. Ever.
I haven't been reading anything on tour so far, I haven't had a minute. Any moment that I've had recently on the tour has been completely sleeping. But before I left home I was reading Dylan Thomas' book of collected works of poetry. I read a lot of poetry.
[B]riefing is not reading. In fact it is the antithesis of reading. Briefing is terse, factual and to the point. Reading is untidy, discursive and perpetually inviting. Briefing closes down a subject, reading opens it up.
I grew up in this household where reading was the most noble thing you could do. When I was a teenager, we would have family dinners where we all sat there reading. It wasn't because we didn't like each other. We just liked reading. The person who made my reading list until my late teen years was my mom.
My personal view is that reading has to be balanced. Obviously, there's a certain amount of reading that we have to do academically to continue to learn and to grow, but it's got to be balanced with fun and with elective reading. Whether that's comic books or Jane Austen, if it makes you excited about reading, that's what matters.
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