A Quote by Anne Mallory

No one is fine on his own. People just say they are. — © Anne Mallory
No one is fine on his own. People just say they are.

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Mitt Romney's only bottom line is the one at the end of his own bank statement. The problem is that he confuses his own narrow, self-interest - and that of people like him - with the national interest. He thinks as long as we do right by the Mitt Romneys of the world, America will be just fine.
When I'm in there I'm just in my zone. What people think about when they're looking at me, that's their business. If there is a bit of that, I am fine with it, each to his own.
The biggest lie in the world is in answer to the question, 'How are you?' People usually say, 'I'm fine,' but that's mostly bull. Everyone wants to display being perfect. They tell themselves and their friends, 'I drive this car, I own this house, I'm fine.' People ball up into these tight wads of repression.
I don't mind what people say about me as long as it's an opinion or the truth. If someone says, 'He's the worst comedian in the world,' that's fine. If someone says, 'His face makes me want to punch the TV,' that's fine. But if they say, 'Oh, and I know for a fact he hunts squirrels,' I go: no, no, no... that's a lie.
When [Jean-Paul] Sartre was asked whether or not he would live under a communist regime he said, "No, for others it's fine, but for me, no." He said it! So it's hard to say just how intellectual his stance is. How can you think that never in your life would you go to live in a communist regime and still say it's fine for everybody? A very difficult thing, that, but Sartre managed it.
From a strictly business perspective, it's like, 'Even if you leave Eric alone, he'll do stuff. He puts his own album together, he gets his own gigs, he does everything on TV. Let him be, he's fine.'
What shall I say? I must tread a fine line between glaciosity and friendlinosity. With just a hint of 'you don't know what you are missing, my fine-feathered friend.
But...you could have whatever you wished." "Exactly," he says, nuzzling my neck. "But," I say, "you could turn stones to rubies or ride in a fine gentleman's carriage." Kartik puts his hands on either side of my face. "To each his own magic," he says and kisses me again.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
I can read people, and if the other person doesn't want to say anything, I'm fine with that. People say things when it's time to say them.
People who know their worth can live austerely; it's the people nagged by the gnawing knowledge of their own cheapness who have that eternal necessity for submerging themselves in what they feel is superlative in material things, as if fine possessions could make them fine.
The right of nature... is the liberty each man hath to use his own power, as he will himself, for the preservation of his own nature; that is to say, of his own life.
Can I tell you something? It wasn't so bad. Not so bad at all right then, me scowling at the dirt, James in his bed, the way it always always was. Look, if that's all that happened, if his dying just meant that I would be waiting for him to say something instead of listening to him say something, it would have been fine.
I played a girl. There's really nothing controversial about her. She's just fine. She has to be fine in order to make Sarah Jessica's character pop, I say I just play a white girl in that movie.
I just tend to admire people who go for what they believe in, like David Lynch for example, and just say what goes through their heads, and are not afraid of people not accepting them. I have no respect for people who deliberately try to be weird to attract attention, but if that's who you honestly are, you shouldn't try to "normalize yourself". It's a fine line.
It becomes 'one's own' only when the speaker populates it with his own intentions, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own
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