I do want people to know that the songs that I wrote when I was with women were really about women. And the songs that I've written since have been fairly obvious about men.
I've written songs about women since I've been involved with women, but I do know a few gay female artists who, back in the day, would write songs about men.
We often run the risk, when discussing women empowerment, to think that this is about women talking about women with other women, but this is not the point.
Just because I write some songs about bad women, though, that doesn't mean I hate women. I've written songs that show great love and respect for women too. Songs that talk about strong, upstanding women and their pain. I have women working on my music. They understand where I'm coming from. So does my mama. I always play my music for her before it comes out. Why do you think I wrote "Dear Mama"? I wrote it for my mama because I love her and I felt I owed her something deep.
If there's anything the name #MeToo calls to us, it's that there's a lot more dimension to the equality of men and women and the empowerment of women, which also is like the empowerment of men.
I get very frustrated when I hear women saying, "Oh, feminism is passé," because I think feminism means empowerment. Men can be feminists, too! Many men are feminists. We need feminism. It's not against men; it's about the empowerment of women. It's the respect of women - giving women equal rights, the same opportunities.
U.N. Women was created due to the acknowledgement that gender equality and women's empowerment was still, despite progress, far from what it should be. Transforming political will and decisions, such as the Member States creating U.N. Women, into concrete steps towards gender equality and women's empowerment, I think is one of the main challenges.
When I think about the cause I'm most passionate about, it's all in my music all the time, because I'm always singing about the empowerment of women. Always, even when it's a little love song - it's still about the empowerment of women and this high spiritual nature of love. It's the biggest healer ever.
'Iraivi' is about women, men, and their priorities. It talks about women's freedom, how men look at it, and how women use it. It's neither preachy, nor is it about women's empowerment.
What's surprising to me now is that now that I'm talking to a lot of women about this, so many women are doing this. Straight women, lesbian women, bisexual women, poor women, White women, immigrant women. This does not affect one group.
Empowerment of women is the empowerment of the nation. No household, no society, no state, no country has ever moved forward without empowering its women.
I sat down in 1989 and I made up my mind at that point that I was going to spend the rest of my life assisting women and youth to gain social and political empowerment through business and education. I convinced myself economic empowerment of women was going to be key, especially in a country like this where most women didn't go to school.
With women empowerment and women coming together, it's not about being better than the guys or whatever. It's just about collaboration; it's about being equal people and having more of a highlight on women's athletics and just women being equal in every aspect.
As women, we must speak out, speak up, say no to our inheritance of loss and yes to a future of women-led dialogue about women's rights and value.
When we talk about women's economic empowerment, we should be careful that we're not just giving women more to do.
I am passionate about women's empowerment and women's ways.