A Quote by Anne-Marie Duff
You want to have enough of a profile to be able to do all the work you can, but at the same time you want to have your own space. But there are a lot of actors who achieve it, a lot of movie stars even, people like Emily Watson and Cate Blanchett. They seem to be able to carry on with their lives and still produce wonderful, high-profile work.
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Really, who you are is defined by the people who you know - not even the people that you know, but the people you spend time with and the people that you love and the people that you work with. I guess we show your friends in your profile, but that's kind of different from the information you put in your profile.
The American Dream means being part of a society that allows you to be or do whatever you want, and to have a sense that your individual optimism and hard work will be rewarded. It exists outside of the U.S. as well as inside. People continue to come here because they want to improve their lives, they want to be able to support themselves and they want to live in freedom. A lot of people who criticize this country still send their children here to study.
When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
I'm a big Cate Blanchett fan. I'm ready. I'm coming! I mean, come on, I am a gay girl; I want what I want. I want to come to Australia and marry Cate Blanchett. Just let everybody know for me.
Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
I think the reason you use an actor is if they are right for the role. Most of the high-profile stars tend to be good actors. That's probably what led to their fame. So if they are right for the movie, you can certainly use them. But I don't want to, not at all. Stardom and Hollywood overpower the ideas and the film.
It just doesn't mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.
I think, like a lot of actors and people in the arts who are struggling to get where they want to be, you spend a lot of time sitting around grumbling about how you're not doing the kind of work you really want to do. But there's a lot of complacency in that, too.
It just doesnt mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.
It's nice that established and emerging stars agree to appear in ambitious low-budget films. Such pro-bono work gives the movie a higher profile and the actors a potentially more distinguished resume.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
Interestingly enough, my more high-profile things are in uniform. But if you look at my full body of work, there's a lot of stuff that's not in uniform. But I do a lot of stuff in the service, and I think that's just how I'm built physically. It just serves the roles.
There are a lot of powerful women in Hollywood who have been movie stars for a long time who are getting into their forties and fifties. I still want to see them work.
I have a lot of ideas and I want to be able to work. To me, it's like one of these contests where you get five minutes in a supermarket to take anything off the shelves you want and try to fill your cart up as much as you can. That's the way I look at my work.
To be sure, the hard-to-come-by interview - the 'get' - isn't an uncommon phenomenon here at 'The Daily Show.' We've had high-profile dignitaries, low-profile indignitaries, stars you've heard of, authors you should have read.
There are actors who aren't on the cover of magazines but still decide what work they want and when they want it. I want a family one day. So I dream of really being able to decide when to work and when not to.
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