A Quote by Anne-Marie Duff
I remember I was unsure about doing 'Shameless.' I'd never acted in anything so commercial. I read the script in the garden with my mum, Mary. She said it's filthy dirty, but she said these people have love and sex and nothing else. That made me take the role.
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Hillary Clinton said that her childhood dream was to be an Olympic athlete. But she was not athletic enough. She said she wanted to be an astronaut, but at the time they didn't take women. She said she wanted to go into medicine, but hospitals made her woozy. Should she be telling people this story? I mean she's basically saying she wants to be president because she can't do anything else.
She said that by introducing me to all these great things, Mary Elizabeth gained a “superior position” that she wouldn’t need if she was confident about herself. She also said that people who try to control situations all the time are afraid that if they don’t, nothing will work out the way they want.
so my grandmother was not without humanity. and if she wore cocktail dresses when she labored in the garden, they were cocktail dresses she no longer intended to wear to cocktail parties. even in her rose garden she did not want to appear underdressed. if the dresses got too dirty from gardening, she threw them out. when my mother suggested to her that she might have them cleaned, my grandmother said, "what? and have those people at the cleaners what i was doing in a dress to make it that dirty?" from my grandmother i learned that logic is relative.
It takes a very long time to read a script. I'll look at a script, but there are so many scripts. I remember once being at the dentist, and the guy was doing my teeth and telling me about the screenplay he'd written and he said, "Will you read it?" And I said "Oh...okay." And it turns out that it was about a dentist!
She came into a room; she stood, as he had often seen her, in a doorway with lots of people round her. But it was Clarissa one remembered. Not that she was striking; not beautiful at all; there was nothing picturesque about her; she never said anything specially clever; there she was however; there she was.
You know what my mum once said?’ said Rosie… ‘She said that if a just-married couple put a coin in a jar every time they make love in their first year, and take a coin out for every time that they make love in the years that follow, the jar will never be emptied.’ And this means…?’ Well’, she said. ‘It’s interesting, isn’t it?
I love you, Eliza,” I said. She thought about it. “No,” she said at last, “I don’t like it.” “Why not?” I said. “It’s as though you were pointing a gun at my head,” she said. “It’s just a way of getting somebody to say something they probably don’t mean. What else can I say, or anybody say, but, ‘I love you, too’?
"She (Minnie Ruth Solomon) was unusual because even though I knew her family was as poor as ours, nothing she said or did seemed touched by that. Or by prejudice. Or by anything the world said or did. It was as if she had something inside her that somehow made all that not count. I fell in love with her some the first time we ever talked, and a little bit more every time after that until I thought I couldn't love her more than I did. And when I felt that way, I asked her to marry me . . . and she said she would."
Sometimes the unexpected does happen. Once, this exquisite woman fell for me. After we made love, she gave me a check for a hundred dollars. I said, "Honey, I don't get paid for sex." She said, "This is hush money."
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
My mum said she remembers me asking her if she'd take me to ballet lessons when I was about two and a half. She said I could barely speak, and yet was asking for ballet lessons.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
People always say, "You played such a strong character." I remember someone said that to me when I played a role in Shame, and she was a suicidal mess. I said, "She's not strong at all; she's incredibly weak." But "strong" to people means "real." It means you believe that's a person who exists, as opposed to some two-dimensional depiction of women.
I did get a nice compliment from Ramona Fradon a few years ago.She was talking about the one and only Plastic Man comic that I inked for her for DC and she said it was the only time that she'd ever had anyone ink her. Everyone else put in their own personality and changed it. In fact, bless her heart, she said if she were still doing Brenda Starr, she'd have me ink it.
My mum was a wonderful mother. She died, aged 80, of Alzheimer's disease, which was dreadful to watch. I remember she said to me: 'Believe in yourself because no one else is going to do it for you.' I'm sure a lot of my success is due to her words of advice.
I can remember, after I started doing films, my mum began going to more arthouse films. She went to see 'Edward Scissorhands' and phoned me up and said: 'What was that all about? He had scissors on his hands.' Good question. I think she should review films on Channel 4.
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