A Quote by Anne-Marie Duff

I only went along to youth theatre with a friend when I was young to try to make myself a bit more sociable. But the whole thing was quite sore; it really hurt me trying to get into drama school. It was a world I knew nothing about - it was very middle class; all that usual stuff. But I was young, determined, and I just went for it.
I think a lot of young kids at school are very conscious of trying to keep credibility in case they kind of stand out in a crowd and get bullied by trying to stay cool and stuff. And my whole thing, all the way through school, was I was just a goof... I didn't care.
The thing about having a very young audience in the theatre is that sometimes they laugh at the bullying scenes. It's really interesting, what that means. It still confuses me slightly, you know; someone's getting quite brutally bullied on stage and people are laughing. I think it's very hard being young.
I tried to get into the National Youth Theatre and didn't, and I tried to get into drama school and didn't, and then I went to university and was really delighted that I went there. I think having the word 'no' can be quite creative.
Not only the brothers on the street but the middle class brothers are also identifying with the gangster rappers because of the extent to which this music circulates. It becomes possible for the - not only the young middle class men, but it becomes possible for young middle class white men and young men of other racial communities to identify with the misogyny of gangster rap.
I was always far more into anything creative that called for a bit of active participation, like reading aloud in class. Then, having left school shortly after my GCSEs, I auditioned for the National Youth Theatre of Wales and the National Youth Theatre of Great Britain as well as the Welsh National Youth Opera. I ended up getting into all three.
I started off dancing and playing sports, and I joined the drama stuff, the theatre stuff in middle school because my friends were involved, and it was kind of the cool thing to do.
I am not and will never again be a young writer, a young homeowner, a young teacher. I was never a young wife. The only thing I could do now for which my youth would be a truly notable feature would be to die. If I died now, I'd die young. Everything else, I'm doing middle-aged.
In America today, a young person needs more education after high school just to have a chance to make it in the middle class. Not a guarantee, just a chance to make it.
From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.
Passion is a young man's game. Young people can be passionate. Older people gotta be more wise. I mean, you're around awhile, you leave certain things to the young. Don't try to act like you're young. You could really hurt yourself.
I was quite straight-laced. I was quite academic until I was about 14 and then I went to boarding school where I had the opportunity to continue to be very academic, but got less interested in it and became more involved in acting. And then when I was applying for universities I used a couple of places on my UCAS form to apply for drama school without telling anyone... but didn't get into drama school. But that was the most rebellious thing I did.
We never did try to get together and to show the younger Negroes such as myself, to try and even to show that he has ambitions - and with just a little encouragement, I could have really done something worthwhile. But instead, we did nothing but let the young upstarts know that they were young and simple, and that was that.
The only thing I think I can be accused of about paparazzi is being really naive. I didn't think about it coming along with the job and I never, during my three years at drama school, fantasized about one bit of it.
The only thing I think I can be accused of about paparazzi is being really naive. I didnt think about it coming along with the job and I never, during my three years at drama school, fantasized about one bit of it.
I started off doing stuff in theatre in Letterkenny from quite a young age. It was just a hobby, something I enjoyed. Some kids like tennis or guitar. I just enjoyed musical theatre so my parents got me into classes.
Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.
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