A Quote by Anne-Marie Duff
That's the thing - you do a job like 'Shameless,' and suddenly that's why you can get a job like 'The Virgin Queen', not because of all the classical theatre you've done. But we can be very snippy about television. It's absolutely the most potent and powerful form of storytelling we have.
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I like television. I still believe that television is the most powerful form of communication on Earth - I just hate what is being done with it.
I want to open an eye or two about what being an actor is really like because it's not all red carpets and photo shoots. It's like trying to get that job and going from job to job.
It's funny, I talk to some of my friends and they don't want to to get a job at Starbucks. They don't want to get a job at, wherever, because they feel like it's below them. And I think the only thing that can be below you is to not have a job. Go work until you can get the job that you want to have.
I think new life is the most exciting thing and I absolutely have so much respect for my friends and family that have gone and done it because it seems like the hardest job in the world. So, who knows - maybe one day I might try it myself. But I completely salute anyone who does.
I'm a prostitute. Do you know what, it really is basically I just really like to work! I'm thrilled that there's a variety. It's why I got into this business to begin with, because I really don't have the discipline or intellect to have a 9-to-5 job. But I came from a classical music background and I merged that to theatre, it kind of opened up the door to a lot of different possibilities.
I've been really lucky because when I go out to L.A. it's for a job, not to look for a job. That's the way I like L.A. most - when I already have a job.
[Fringe] was just about doing the job, or trying to do the job, properly. It was never a job that you could rest on your laurels. It was a very challenging 43 minutes of television that we were shooting, every week.
It's very lucky to be able to do a job where I get to sit about writing plays all day and going to the theatre. The downside, I suppose, is that you put it out there, and people are invited to like it or loathe it.
As a general rule, if you have a product that doesn't get the job done that a customer is needing to get done, then often you have to offer it for zero. Because if you ask for money for it - because if it doesn't do the job well, they won't pay for it.
I'm quite shy and I absolutely love my job - if you'd call it a job - and I like everything that goes along with it, but I think away from that I'm probably no more interesting or special than anyone else, and so I really like just doing normal stuff, as I'm sure most people in our team do.
The life of an actor is you do a job and it's done, then you get another job, someone tells you about one or you have to find it... it can feel a little bit like that scene in '2001' when HAL detaches the astronaut from the spaceship and he's floating off into space on this terrible trajectory into the abyss. At least, it can feel like that.
Television is what we call the long form of storytelling, where we tell stories over thirteen, twenty-two, or twenty-four hours. Miniseries is an eight-hour form of storytelling, and film is a two-hour form. Each and every one of them are important to me, because they're a different modality of storytelling.
I never want to get a job because I'm female. I want to get it because I earned it and I deserve it... Whether my hair is going to be blue or purple, people should be judged on how well they do the job and deliver results and whether they do it the right way. That's how I like to be judged; most people are like that.
This is a very superficial job. I sit in a chair for two hours and get hair and makeup done and talk about myself in interviews. That's a very vain thing to do. And I do get caught up in it sometimes.
Once you're finally in a place at Saturday Night Live that you're really comfortable, that's when you should probably be leaving, unfortunately. I think most people stay two or three years longer than they should, because it's very simple, the vacations are great, and you get good at what you do. It's like any job, you're like, "Oh, I know how to do this." You know it's a temporary thing, but it's easy not to walk away from. You find yourself going, "I'll leave next year, or I'll leave the year after." But it's a job you probably shouldn't be at for longer than five years, to be honest.
I think that one of the things that we have to recognize is that the longer somebody doesn't have a job, the harder it is to get a new job. You know, the reality is that if you're out of job, and you're looking for a job, then the new employer's going to say, 'Well, why, you know, don't you have a job now? What's wrong with you?'
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