A Quote by Anne McCaffrey

I have written my own screen version of Pern, but had no buyers yet. — © Anne McCaffrey
I have written my own screen version of Pern, but had no buyers yet.
I read a lot of the 'Pern books' growing up - basically up through 'All the Weyrs of Pern,' maybe a couple after that. As far as formative dragon influences are concerned, she's probably one of the top ones; I know I read other fantasy novels that had them, but none particularly stick in mind.
I also don't have organized religion on Pern. I figured - since there were four holy wars going on at the time of writing - that religion was one problem Pern didn't need.
Most of what we know about sales comes from a world of information asymmetry, where for a very long time sellers had more information than buyers. That meant sellers could hoodwink buyers, especially if buyers did not have a lot of choices or a way to talk back.
I am not against kissing on-screen but I definitely do not want to be written about for the number of kisses I have had on screen.
We had our own version of the seven vows, which Abhinav has written beautifully. Each vow touched my heart deeply.
Yes, when they're buying there are more buyers in the market and that's supportive of the price. The more buyers you have, the firmer the price is going to be. When central banks were selling it was a headwind the market had to overcome. Now it's a tailwind that central banks are joining the buyers.
When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
I think that if you are sticking to the text, essentially, you're not trying to write your own version of it. I mean, of course, it is your own version of it. And every translator would probably have a different version. But I think that that's what keeps the writers from being individual in English. They may be my English, but I don't think that Ferrante sounds like Levi.
Memory has its own special kind. It selects, eliminates, alters, exaggerates, minimizes, glorifies, and vilifies also; but in the end it creates its own reality, its heterogeneous but usually coherent version of events; and no sane human being ever trusts someone else's version more than his own.
But when I saw the cursive grace of Guido Rahr's fly line writing prayers I couldn't read to the river gods of Outer Mongolia, I knew my name was written there too. Fly fishing was going to be my version of my father's sport, my nod to my Scottish ancestors and to my self, and to the fish crazed part of America I had claimed as my own.
By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
When the U.K. or U.S. government issues bonds to fund a deficit, the buyers are not solely in the U.K. or the U.S. - they're in Asia, Europe, Latin America and the Middle East. Investment banks provide direct access to these buyers.
I would like to see a lot more buyers and also a lot less bargaining by local buyers.
It was really written as most, I think, books are by writers - for themselves. There was something that just had to be written, in a way that it had to be written. If you know what I mean.
I had seen 'Hook' growing up - it was one of my favorite films - and I had seen the version of 'Peter Pan' that Jason Issacs was in, and I had seen the older versions, obviously the Disney version.
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