A Quote by Anne Morrow Lindbergh

Rivers perhaps are the only physical features of the world that are at their best from the air. — © Anne Morrow Lindbergh
Rivers perhaps are the only physical features of the world that are at their best from the air.
Perhaps fishing is, for me, only an excuse to be near rivers.
It will appear evident upon attentive consideration that equality of intellectual and physical advantages is the only sure foundation of liberty, and that such equality may best, and perhaps only, be obtained by a union of interests and cooperation in labor.
In fact, the history of North America has been perhaps more profoundly influenced by man's inheritance from his past homes than by the physical features of his present home.
I think dress, hairstyle and make-up are the crucial factors in projecting an attractive persona and give one the chance to enhance one's best physical features.
We're not in the physical world. The physical world is in us. We create the physical world when we perceive it, when we observe it. And also we create this experience in our imagination. And when I say "we," I don't mean the physical body or the brain, but a deeper domain of consciousness which conceives, governs, constructs and actually becomes everything that we call physical reality.
I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers.
Maybe. Anyway, some men get what they want. No man. Or perhaps only briefly so as to lose it. Or perhaps only to prove to the dreamer that the world of his longing made real is no longer that world at all.
God quickened in the Sea and in the Rivers, So many fishes of so many features, That in the waters we may see all Creatures; Even all that on the earth is to be found,! As if the world were in deep waters drowned.
I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers. I bathed in the Euphrates when dawns were young. I built my hut near the Congo and it lulled me to sleep. I looked upon the Nile and raised the pyramids above it. I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I've seen its muddy bosom turn all golden in the sunset. I've known rivers: Ancient, dusky rivers. My soul has grown deep like the rivers.
Physical separateness can never be overcome by electronics, but only by 'conviviality,' by 'living together' in the most literal physical sense. The physically divided are also the conquered and the controlled. 'True desires' - erotic, gustatory, olfactory, musical, aesthetic, psychic, & spiritual - are best attained in a context of freedom of self and other in physical proximity & mutual aid. Everything else is at best a sort of representation.
The best road to correct reasoning is by physical science; the way to trace effects to causes is through physical science; the only corrective, therefore, of superstition is physical science.
Music is a physical expression that has a physical impact upon the listener. Sound travels in waves through the air. This is not abstract. This is scientific fact. And it makes physical contact with the eardrum... and with the heart... and with the rest of the body.
In 'Fable 1,' the number of features was more important to me than what the features did. And as a games designer I've come to realize that it's not the number of features you have, it's the way that those features interact.
Whether this vast homogeneous expanse of isotropic matter is fitted not only to be a medium of physical interaction between distant bodies, and to fulfil other physical functions of which perhaps we have as yet no conception, but also to constitute the material organism of beings exercising functions of life and mind as high or higher than ours are at present is a question far transcending the limits of physical speculation.
The Missouri is, perhaps, different in appearance and character from all other rivers in the world; there is a terror in its manner which is sensibly felt, the moment we enter its muddy waters from the Mississippi.
The best portraits are perhaps those in which there is a slight mixture of caricature; and we are not certain that the best histories are not those in which a little of the exaggeration of fictitious narrative is judiciously employed. Something is lost in accuracy; but much is gained in effect. The fainter lines are neglected; but the great characteristic features are imprinted on the mind forever.
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