A Quote by Anne Morrow Lindbergh
A note of music gains significance from the silence on either side.
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For it is only framed in space that beauty blooms. Only in space are events and objects and people unique and significant-and therefore beautiful. A tree has significance if one sees it against the empty face of sky. A note in music gains significance from the silences on either side. A candle flowers in the space of night. Even small and casual things take on significance if they are washed in space, like a few autumn grasses in one corner of an Oriental painting, the rest of the page bare.
Tintinnabulation is like this. Here I am alone with silence. I have discovered that it is enough when a single note is beautifully played. This note, or a silent beat, or a moment of silence comfort me.
There are many types of silence. There is a silence before the note, there is a silence at the end and there is a silence in the middle.
Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever.
Silence is Golden; it has divine power and immense energy. Try to pay more attention to the silence than to the sounds. Paying attention to outer silence creates inner silence: the mind becomes still. Every sound is born out of silence, dies back into silence, and during its life span is surrounded by silence. Silence enables the sound to be. It is an intrinsic but unmanifested part of every sound, every musical note, every song, and every word. The unmanifested is present in this world as silence. All you have to do is pay attention to it.
Music and silence combine strongly because music is done with silence, and silence is full of music.
I have known the silence of the stars and of the sea.
And the silence of the city when it pauses,
And the silence of a man and a maid,
And the silence for which music alone finds the word.
Atheism is so senseless & odious to mankind that it never had many professors. Can it be by accident that all birds beasts & men have their right side & left side alike shaped (except in their bowels) & just two eyes & no more on either side the face & just two ears on either side the head & a nose with two holes & no more between the eyes & one mouth under the nose & either two fore legs or two wings or two arms on the shoulders & two legs on the hips one on either side & no more?
Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the "moral significance of existence." But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.
A part of all art is to make silence speak. The things left out in painting, the note withheld in music, the void in architecture - all are as necessary and as active as the utterance itself.
There is a music for lonely hearts nearly always. If the music dies down there is a silence. Almost the same as the movement of music. To know silence perfectly is to know music.
I was always in love with the idea of making music - and always wanted to be involved in either the creative side or the industry side.
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
For a second we just stand there in silence. Then, suddenly, Alex is back, easy and smiling again. “I left a note for you one time. In the Governor’s fist, you know?” I left a note for you one time. It’s impossible, too crazy to think about, and I hear myself repeating, “You left a note for me?” “I’m pretty sure it said something stupid. Just hi, and a smiley face, and my name. But then you stopped coming.” He shrugs. “It’s probably still there. The note, I mean. Probably just a bit of paper pulp by now.
I have a big problem with piped music. I like either silence or to listen to it properly.
If there is such a thing as saintly renunciation, it is renouncing small gains for better gains; not for no gains, but seeing with open eyes what is better and what is inferior. Even if the choice has to lie between two momentary gains, one of these would always be found to be more real and lasting; that is the one that should be followed for the time.
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