A Quote by Anne Murray

You have to be real sharp when you're touring. I'm dull normal at home. So when I come off the road, my kids have to put up with Mom making cracks every five minutes for a couple of days.
A typical day in my writing life starts with looking at pictures of real estate online for at least 20 minutes. If I happen to be actually in the market for a house, I do this for 40 minutes. Then I walk my dog, come back home, and tell myself I can look at real estate for another five minutes.
When I used to work, I used to come home every evening and see my kids. Now sometimes we can be on the road for six days a week or three weeks at a time.
Actually I think it's better for me to come off the bench, because for them first couple of minutes when that first five is in there, you can see the little things and what you need to do when you get in there.
My first full year of touring, I did 300 days on the road. That was not including the travel time or publicity or anything else - that was just dates. I was home probably less than 50 days that year.
Before I got hurt, I was on the road five days a week and then I'd come home for a day and a half. And some of those times, I'd be filming Total Divas, so at some point I was working seven days a week, which I was cool. I loved it.
Going back to my playing days, I was at Cambridge United for a couple of seasons, and, of course, Newmarket is just down the road. On my days off, I would go to Newmarket quite often, park up by the gallops, and watch the horses work. It was something else.
I am so happy, each and every day that I come to set. Some days, I'll be there 12 hours, and it feels like five minutes have gone by.
I discovered is that I have a couple of valves that were leaky and had been giving, gave me a problem then. But I hadn't noticed anything up until then.A couple of incidents of shortness of breath and checked myself into a hospital, but that one in France really sat me down for a few minutes - a very few minutes, because seven days later I was in the studio, and eight days later, I was no the stage.
Every time we get days off, we try to go home and record five or six songs.
I lead by example. My kids know what sweat is. They've seen me come home from so many runs and asked, 'What's on your skin? How did you get it?' And I tell them, 'It's from exercise!' So now my son will come home from a bike ride, take off his helmet and say, 'Look, Mom. I'm sweating! I just worked out!'
I don't put on a face. I'm the same guy every time you see me. I like to laugh, I like to smile, and I don't take myself too seriously. I can be a goofball. When I come home, the only thing that changes is that I take off the suit and put on tennis shorts and play with the kids.
When I'm on that field, I give it everything I have, and when I come off, I'm a mom. As tired and exhausting as it is, it's about coming back, even after double days, and still being able to enjoy the kids.
When you make albums like I do, and it's based off fanfare and based off touring - I make these albums, and I get on the road. It's not really a radio-driven thing. I get on the road, and I see my fans, and I touch each and every last one of them.
For a family to have five kids and to have emigrated from the West Indies, my father from Jamaica and my mother from Montserrat - it's not easy to provide for five kids let alone put three kids in AAA hockey, one being a goalie, and put two daughters through university.
The first cut I do is usually between five and 10 minutes shorter then the cut that we release. Anything I think isn't working or might not work, I don't even put it in the director's cut. And usually it's the studio suggesting I put stuff back in, as opposed to studios saying, "You got to lose 40 minutes," they are always saying, "You've got to gain five minutes."
I'm doing cardio five days a week and will do anywhere from 30 minutes up to an hour each session, but never under 30 minutes.
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