A Quote by Anne Murray

I knew it was time to pack it in. I was in my 60s... I could still sing but I didn't want to get to that point where people feel sorry for me. — © Anne Murray
I knew it was time to pack it in. I was in my 60s... I could still sing but I didn't want to get to that point where people feel sorry for me.
I knew what I didn't want. I didn't want people to feel sorry for me. I didn't want people to see me as disabled. I wanted to live a life of adventure and stories.
I feel sorry for people in power. I feel sorry for the Queen, in a way, that she hasn't had a normal life. It'd difficult for me to hate anyone. Immediately someone's unpopular, I feel sorry for them.
I knew I could sing. That one thing I did believe in was that I could sing, but then constantly getting rejected, it started to get me down. But my voice was always there and my dream and my ambition was always there when I went through bad times.
Some shows feel very reverent - when you're in a seated theater, no one really sings. I love it when people sing! I wish people would sing all the time. Because one of my favorite things when I get to do as a musician is step away from the microphone and listen to everyone sing together.
I don't sing professionally; I sing because people who make my films want me to sing. So, as long as they want me to croon in the film, I will sing.
When I sing, I feel like when you're first in love. It's more than sex. It's that point two people can get to they call love, when you really touch someone for the first time, but it's gigantic, multiplied by the whole audience. I feel chills.
I have you here, all around me. I sit in the Ice Garden to get a hint of this, this way that you make me feel. I felt it even before I knew who you were, and every time I think it could not possibly get any stronger, it does.
There's scenes where I really want to get things right, and all the kids know me as the person who says, 'Sorry.' I think I've gotten a lot better with that, but it's still the thing that I'm still worried about, trying to get the scene perfect.
In the '60s when I started to see everything I could see, you could see pretty much everything which was still available from the '30s, '40s, '50s, '60s, and therefore I had an education which was really large and vast in different cinema. That's probably the reason I did not fall for the New Wave. It's really the love of the movies that made me want to become a cameraperson, definitely. I was really a film buff.
Do you sometimes wish you could fast-forward a week? You know something bad's coming up, and you know you'll get through it, but the prospect just makes you feel sick. I worried for about thirty minutes, and though I knew there was no point in doing so, I could feel my anxiety twisting me up in a knot. 'Bullshit,' I told myself stoutly. 'This is utter bullshit.
I want to appeal to people's sense of humanity and interconnectedness. I feel like I have the platform I'm standing on for a reason. It's not just to make people happy and get people to dance and sing, to feel an escape. It's also to get people to listen and to bring important issues to the forefront.
I like to make sure I don't sing songs that are like self hating and feeling sorry for yourself 'cause that's not the kind of legacy I want to leave really. I want people to feel like strength, especially young women.
Being able to play tragedy for humor rather than pity is a new trick I've learned. For a long time that's what I did with my poetry, ask people to feel sorry for me. I got sober and I realized I have to get out of the pity thing; it's not going anywhere for me. I don't want to have any self-pity.
If I try to figure out what people want and give it to them, it's a failure. If I try to please people and figure out what's going to get me from point A to point B, I fail. But I think if I do what I want to do, in the long run, maybe not tomorrow, but at some point, I think it'll pay off and it'll at least feel honest.
Most writer's blocks come from people second-guessing to the point where they get discouraged, and they just quit. For me, if I write something and it's not amazing, I don't care because even if I feel like it might not be amazing, it could still be a number-one hit.
I don't want people to feel sorry for me or pity me - I want people to know that what got me through was human spirit and everyone has that in them.
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